aaaaarte

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11
  • aaaaarte en Twitter
Viernes, 2.12.2016


Anteriores
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Agosto 2016<br />Abierto por Vacaciones

Agosto 2016
Abierto por Vacaciones

31.7.2016 | Redacción

· Para todos los gustos: 116 exposiciones abiertas al público este verano en España (and some others arround the world)

Imagen: Nick Hannes. Izola, Eslovenia / © Nick Hanne via Centro Andaluz de la Fotografía

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Kino Acosta. Todas las Luces del Día

Kino Acosta. Todas las Luces del Día

3.9.2015 | David García
  Kino Acosta (Madrid, 1974) es un fotógrafo hecho y derecho, un profesional. Basta ver su galería de retratos para comprobar que maneja los recursos propios de su oficio -iluminación, composición, expresión, vestuario, maquillaje…- al nivel que exigen  las marcas internacionales del lujo, que es el máximo. Para llegar a ellas hay que ser un poco […]
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Irina Nakhova. Regreso al Verde

Irina Nakhova. Regreso al Verde

6.6.2015 | A. G. Abella

· Irina Nakhova
· Venice Art Biennale. Russian Pavilion
· 9May-22Nov 2015


El pabellón ruso expone por primera vez el trabajo de una mujer, Irina Nakhova (Moscú, 1955) que vive y trabaja entre Rusia y Estados Unidos. Otras dos mujeres completan el equipo, Stella Kesaeva, presidenta de la Stella Art Foundation, promotora del arte ruso contemporáneo, y la comisaria independiente Margarita Masterkova, experta reconocida en las Vanguardias rusas. “El Pabellón verde” es un homenaje al edificio construido en 1913 por el arquitecto Aleksey Schusev pero repleto ahora de señales nuevas sobre los viejos mensajes.

Imagen: Gran máscara de gas, instalación de Irina Nakhova en el pabellón ruso de la Bienal de Venecia / Cortesía The Russian Pavillion

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Repaso de Verano

Repaso de Verano

1.6.2015 | Redacción
Artistas: Emilia Enríquez, Guillermo Summers G., Shota Uehara, César Galicia, Juan Díaz, Jorge Palacios, Gerard Fernández Rico, Carlos Evangelista, Fernando Alcalde, Francesca Greco, Pepe Botella, Alejandro Cabrera, Pep Carrió, Peter Müller Peter, Isidro Ferrer ………………………………………………………………………………………….………. Emilia Enríquez. La Felicidad Amenazada Guillermo Summers G. Pruebas de Vida Shota Uehara. A la Caza del Trofeo de Caza […]
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Chiharu Shiota. La Llave de Nuestra Memoria

Chiharu Shiota. La Llave de Nuestra Memoria

20.5.2015 | A. G. Abella

· Chiharu Shiota
· Venice Art Biennale. Padiglione Giapponese
· 9May-22Nov 2015


El pabellón de Japón presenta una espectacular escenografía, el escenario de una ópera en la que se nos ha dejado representar el papel protagonista. Su autora, la japonesa Chiharu Shiota, lleva un año preparando la obra que asombra en la Bienal por su potencia visual y su emoción evocadora.

Imagen: Chiharu Shiota, 'The Key in the Hands' / Photo: © Camila Boschetti

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Niki de Saint Phalle. La Amazona del Siglo XX

Niki de Saint Phalle. La Amazona del Siglo XX

1.4.2015 | A. G. Abella

· Niki de Saint Phalle
· Guggenheim Bilbao
· 27.02.2015 — 11.06.2015


Una mayoría piensa que Niki es una guapa y dócil modelo que se fotografía luciendo joyas de Cartier para las revistas de moda. O una artista que pinta y construye señoras enormes con vestidos floreados. Pero no. La obra de Niki es una provocación y representa una ruptura con los estereotipos de su tiempo. Niki dispara.

Imagen: Niki de Saint Phalle trabajando, 1961 / Photo: Harry Shunk - Janos Kender. The Lichtenstein Foundation

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Yan Pei-Ming, Adel Abdessemed y Otros 26

Yan Pei-Ming, Adel Abdessemed y Otros 26

30.3.2015 | David García

· Yan Pei-Ming
· CAC Malaga
· 20.03.2015 - 14.06.2015

· Adel Abdessemed
· CAC Malaga
· 27.03.2015 - 5.06.2015


El CAC será discutible. Y caro. Pero justifica, con creces, su particular posición dentro de la superoferta museística de la ciudad de Málaga. En esta ocasión nos llegan, de la mano de su director y gerente Fernando Francés, dos visiones del mundo de dos artistas emigrados a Francia, el país que les ha descubierto y consagrado. Cada uno en su propio idioma, el chino Yan Pei-Ming y el argelino Adel Abdessemed dan cuenta de lo mismo: política, religión y violencia, historias de hoy y de siempre.
Y, para suavizar la intensidad de la dosis, Neighbours II, una colectiva que reúne 26 "artistas de proximidad".

Imagen: Yan Pei-Ming, 'Exécution, après Goya', 2008 / Colección particular - Photo: © Jose David

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De Viaje con Monsieur Durand-Ruel <br />(Director de Marketing del Impresionismo)

De Viaje con Monsieur Durand-Ruel
(Director de Marketing del Impresionismo)

5.3.2015 | A. G. Abella

· Durand-Ruel. Inventing Impressionism
· The National Gallery
· 4.03.2015 - 31.05.2015


La National Gallery de Londres, el Philadelphia Museum of Art y la Réunion des Musées Nationaux - Grand Palais en colaboración con el Musée d’Orsay organizan esta exposición dedicada a la figura de Paul Durand-Ruel, el galerista, marchante y coleccionista que llevó el impresionismo francés -Manet, Monet, Renoir, Pisarro, Degas, Sisley, Seurat...- a América, a la fama mundial y a las cotizaciones récord en las subastas.

Imagen: Portada del catálogo y condiciones de la subasta de pinturas francesas de la colección de Durand-Ruel en las galerías de W.P. Moore, Nueva York, mayo de 1887 / Philadelphia Museum of Art, Library

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Olafur Eliasson. <br />Una Lección de Economía de la Experiencia

Olafur Eliasson.
Una Lección de Economía de la Experiencia

16.9.2014 | David García

· Olafur Eliasson. Riverbed
· Louisiana Museum for Moderne Kunst
· Hasta el 4 de enero de 2015

La "Economía de la Experiencia" mantiene que las empresas deben propiciar acontecimientos memorables ya que, el recuerdo de ese hecho, es el producto en si. La industria avanzada de la experiencia afirma su derecho a obtener beneficios por el valor de transformación que la experiencia produce.
En este caso, por 14.7 € la entrada, el Luisiana Museum dedica gran parte de su espacio a la última instalación de Olafur Eliasson, una propuesta que suscita polémica y controversia: frente al entusiasmo mediático las críticas de los profesionales señalan al director, Poul Erik Tøjner, al que acusan de convertir el museo en un supermercado del arte, uno más, y reclaman el papel que éste elude y debería cumplir.

Imagen: El Luisisna advierte que no es posible visitar la instalación en silla de ruedas y recomienda evitar los zapatos de tacón / Photo: Janus Engel

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Guillermo Summers G. Pruebas de Vida

Guillermo Summers G. Pruebas de Vida

6.9.2014 | David García
Tono, coloratura, dinámica, brillo, textura, métrica. Son términos que pueden emplearse para explicar tanto una composición musical como un cuadro. En éste caso, con más motivo. Guillermo Summers G (Madrid, 1968) plantea su particular aventura plástica de la misma manera en que se encaja un riff o se dibuja una línea de bajo, una demostración […]
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El Greco, Sí. <br />Pero …

El Greco, Sí.
Pero …

9.4.2014 | Isabel Mendoza

· El Greco
· Museo de Santa Cruz, Toledo
· Hasta el 6 de junio de 2014.

Dos cuadros llegados del Met de Nueva York son suficientes para apreciar esa capacidad para el retrato, esa maestría que profundiza hasta hacernos sentir la piel de los retratados, esa cualidad casi periodística que impresiona por su modernidad asombrosa, cercana, inminente.
Sí, pero...
La periodista Isabel Mendoza narra, en primera persona, el caos tremendo que padeció para acceder a la exposición -gritos, empujones y hora y media de espera- a pesar de contar con las entradas y reserva previa de hora. "No vayan a ver al Greco en sábado", es su airada recomendación.

Imagen: El Greco, 'View of Toledo'. Oil on canvas, 121.3 x 108.6 cm / The Metropolitan Museum of Art

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Lyon. Una Bienal Nada Banal

Lyon. Una Bienal Nada Banal

26.11.2013 | David García

· 12 Biennale de Lyon.
· MAC Lyon, La Sucrière, y otras sedes.
· Hasta el 5 de enero de 2014.

CRÍTICA. Un puñado de los consagrados, otro de los ya establecidos, y otros 60 artistas llegados de los cinco continentes forman la coral que resuena desde Lyon. Es la única bienal europea dedicada al arte contemporáneo que ha conseguido llegar sana y en forma a su 12ª edición.
No es fácil seleccionar y presentar el arte que se hace ahora mismo sin caer en la banalidad de lo efímero o lo ocurrente, o en el puro narcisismo intelectual. Se justifica mejor aquí, y se agradece, cuando se cuenta con un “argumento” comprensible para todos los públicos, sin necesidad de humillar su inteligencia.
No puede sorprender que toda la ciudad, Lyon entera, se entregue a participar y a celebrarlo.
+
· Joseph Cornell et les surréalistes à New York.
· Museo de Bellas Artes de Lyon. Hasta el 10 de febrero
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Museo Reina Sofía<br /> Mínima Resistencia, Máxima Penetración

Museo Reina Sofía
Mínima Resistencia, Máxima Penetración

10.11.2013 | David García

· Mínima resistencia . Entre el tardomodernismo y la globalización: prácticas artísticas durante las décadas de los 80 y 90.
· Museo Reina Sofía.
· Hasta el 5 de enero de 2014.

CRÍTICA. Tardomodernismo, globalización, postmedia, transversalidad. Como si no se pudiera ver una obra de arte sin una "pluralidad de relatos" que lo acompañen, asistimos al triunfo de la retórica, el apogeo de la palabra pintada, una defensa de la incoherencia como único argumento de autoridad posible. Aquí conviven una instalación de vídeo de cinco canales, un fanzine, una raíz de caucho, un óleo sobre tela, un cartel...
Son obras "abiertas" que debe completar e interpretar el espectador mientras los gestores culturales del museo se afanan en ofrecer la mínima resistencia. ¿A qué? Al final, ya verás, se entiende todo.

Imagen: Peter Fischli y David Weiss. 'Der geringste Widerstand', 1980-1981, película, 29' + 'Untitled' (Small Root), 1987, caucho + 'Untitled' (Rat and Bear, Sleeping), 2008-2009, lana, tela y motor eléctrico.

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Moda Infantil en el IVAM. “Happy Little Girls”

Moda Infantil en el IVAM. “Happy Little Girls”

22.6.2013 | A. G. Abella

· 'Happy Little Girls', de Ágatha Ruiz de la Prada. IVAM, hasta el 13 / 10 2013

Consuelo Císcar sabe unir moda, arte, peluquería, cocina, famosos... la directora del IVAM ha ido tejiendo una urdimbre de contactos, amistades, relaciones, favores, unos más conocidos, otros menos, al calor de sobremesas, palmaditas en la espalda y apretones de manos. Ante las críticas, Ciscar declara: “Todo correctísimo administrativamente”.
Imagen: Ruiz de la Prada, Agatha, 'Muñecas Agathitas' / IVAM
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Hiper Realismos en el Thyssen.<br />Parece. Pero No Es

Hiper Realismos en el Thyssen.
Parece. Pero No Es

15.5.2013 | Pérez de Viñaspre

· 'Hiperrealismo'. Museo Thyssen-Bornemisza, hasta el 09.062013

Parece una foto. Pero no lo es. Parece un museo. Pero son dos. Parece de propiedad pública, pero es de gestión privada. Alberga la colección Carmen Thyssen, un préstamo que parece gratuito, pero no lo es. Según el contrato firmado en 1999 por Mariano Rajoy con las sociedades de la "baronesa" radicadas en paraísos fiscales, en el ejercicio 2011 se traspasan 8.851.653 € en concepto de amortización del valor del derecho de uso de la Colección Carmen Thyssen-Bornemisza.
Una dosis de realismo. En grado Hiper.
Imagen: Audrey Flack, 'Shiva Blue', 1972‐73. Óleo sobre pintura acrílica sobre lienzo, 89 x 127 cm / Colección Susan P. y Louis K. Meisel, Nueva York / Photo © Institut für Kulturaustausch, Tübingen
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Agnès Varda, la Mujer de las Orillas

Agnès Varda, la Mujer de las Orillas

7.3.2013 | A. G. Abella

· Agnès Varda
· Centro Andaluz de Arte Contemporáneo
· Hasta el 31.03.2013

· 'Si se buscara dentro de mí, se encontrarían playas'
CRÍTICA. Agnes Varda ha pasado de las salas de cine a los museos. La primera mujer directora de cine de la Nouvelle Vague expone desde hace diez años en salas de todo el mundo. Hans Ulrich Obrist, uno de los comisarios más activos, fue el primero en llamarla para la Bienal de Venecia de 2003.
Ella confiesa ser la misma aunque ahora el público se comporte de modo diferente, puede moverse, puede hacer un recorrido, un recorrido físico pero también mental y emocional. Varda reconoce que su primer amor fue la pintura, no el cine. A sus 84 años, sigue en estado puro: 'Con la edad se va cayendo todo, pero no la curiosidad.'

Imagen: Agnès Varda / Fotografía de la la galerie des Bouches du Rhône, Aix en Provence, 2013

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Ai Weiwei. Cinco Toneladas de Pipas en la Cartuja

Ai Weiwei. Cinco Toneladas de Pipas en la Cartuja

14.2.2013 | A. G. Abella

· Ai Weiwei
· Centro Andaluz de Arte Contemporáneo
· Hasta el 23.06.2013


CRÍTICA. Las 5 toneladas de pipas de porcelana (3,3 millones de semillas) que presenta el CAAC con unas severas medidas de seguridad, impuestas por el prestador, no puede ser más ajena a la idea original. La estrella de la exposición, convertida en una lejana alfombra grisácea, carece de sentido.
+ La nueva moneda Ai Weiwei: 'Sunflower seeds' + Cotizaciones + Never Sorry + El empresario, el arquitecto + Expos, vídeos, docs

Imagen: Ai Weiwei, "Sunflowers Seeds", porcelana, 5 toneladas, 2009. / Colección Jan Ghilsalberti, Copenhague. Photo: aaaaarte

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Egon Schiele. El Hombre Está Roto

Egon Schiele. El Hombre Está Roto

13.12.2012 | A. G. Abella

· Egon Schiele
· Guggenheim Bilbao.
· Hasta el 6.01.2013


CRÍTICA. “Su dibujo era único. La seguridad de su mano era casi infalible. Cuando dibujaba solía sentarse en una banqueta baja, el tablero de dibujo con las hojas sobre las rodillas apoyando la mano.... Y todo era correcto...".
Dibujos, de los que podemos ver un centenar procedentes de los fondos del Albertina Museum de Viena, dibujos a lápiz, acuarelas, guaches, aguadas, tizas, obras acabadas en sí mismas que realizó en poco más de diez años.
Imagen:Egon Schiele, "Seated Couple", 1915 / © Albertina, Vienna
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Hopper. Un Americano en París

Hopper. Un Americano en París

16.11.2012 | A. G. Abella y David Garcia

· Hopper
· Gran Palais. Hasta el 28.01.2013
· Hopper. Museo Thyssen. Hasta el 16.09.2012)

CRÍTICA. De Madrid a París, del Thyssen al Grand Palais, una exposición que parece la misma pero no es la misma. Con 45 obras más, el Grand Palais revindica la paternidad del "artista genuínamente americano".
+
Edward Hopper. El nacimiento del arte americano. Por A. G. Abella

Imagen:Edward Hopper, "Notre Dame nº2", 1907. Óleo sobre tela, 59,7 x 73 cm. / New York, Whitney Museum of American Art, legado de Josephine N. Hopper
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Erwin Wurm. Soy una Casa?

Erwin Wurm. Soy una Casa?

6.10.2012 | A. G. Abella y David Garcia

· Erwin Wurm
· CAC Málaga
· Hasta el 11 de noviembre


CRÍTICA. Más cerca de los Looney Tunes que de El Bosco, Wurm utiliza recursos surrealistas que presenta envueltos en una capa de humor superficial pero con un fondo cargado de crítica y sarcasmo. Su trabajo es una mezcla de sorpresa y juego, un divertimento constante que hipnotiza al espectador y le induce a entrar en contacto directo con sus inquietantes propuestas.
+ Lo que no verás en el CAC + Cotizaciones
Imagen: Erwin Wurm, 'Narrow House' (La casa estrecha, 2010 / CAC Málaga
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Outumuro. Ver o No Ver

Outumuro. Ver o No Ver

15.9.2012 | David García

"Ver o no ver", fotografías de Outumuro . Casa América. Hasta el 10 de noviembre

FOTOGRAFÍA. Manuel Outumuro es famoso por su excepcional trabajo como fotógrafo de moda. Acaba de clausurar "Mirar y pensar Balenciaga" en el Museo del traje, y ya inaugura otra exposición, quizá más importante porque es desinteresada. En "Ver o no ver" Outumuro ha conseguido reunir 50 personajes de la cultura española y hacerles posar con un ojo tapado. Todos han colaborado de forma altruista para dar a conocer la labor de la Fundación Ojos del Mundo, que trata las cegueras evitables en Sahara, Mozambique, Bolivia y Mali.
Imagen: Los 50 personajes de "Ver o no ver" / Fotografías de Manuel Outumuro
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Michel Majerus y otros Cadáveres Exquisitos

Michel Majerus y otros Cadáveres Exquisitos

6.9.2012 | Pérez de Viñaspre

CRÍTICA. Un museo ejemplar, el CAPC -centre d’arts plastiques contemporains- de Burdeos, programa durante el verano una retrospectiva de Michel Majerus (*1967 †2002), uno de los grandes agitadores del arte de los noventa. Apenas conocido en España -una instalación en la BIACS de 2004-, en Francia, sin embargo, esta muestra es declarada de Interés Nacional por el Ministerio de Cultura.
Imagen: Michel Majerus, "nothing is permanent", 2000. Acrílico sobre tela, 260x450 / Colección Reno y Veit Görner
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David Hockney. Una Visión más Amplia

David Hockney. Una Visión más Amplia

14.7.2012 | A. G. Abella

David Hockney . Museo Guggenheim Bilbao. Hasta el 30 de septiembre

CRÍTICA. Hockney ha vuelto a la tierra de sus orígenes para filmar, fotografiar, digitalizar y pintar sus paisajes. El “artista británico más influyente de todos los tiempos”, según sus propios colegas, reivindica la vigencia del paisaje, el valor del trabajo hecho a mano y su derecho a disfrutar de la vida en una esquina vacía de Gran Bretaña, muy lejos de las piscinas californianas.
+Vídeos, imágenes y prensa >>
Imagen: Hockney, 'The Arrival of Spring in Woldgate, East Yorkshire in 2011'. Óleo sobre 32 lienzos, parte de una obra de 52 piezas / © David Hockney-guggenheim-bilbao
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La Maleta Mexicana vuelve a España / y II

La Maleta Mexicana vuelve a España / y II

6.3.2012 | A. G. Abella

...cuando vio las cajas con los negativos se recordó un poco la historia y se las dio a mi primo Benjamín, segura de que el sabría que hacer con ellas y cuando Benjamín me comunicó el contenido y que había parientes de Capa los dos acordamos de que se les entregaran...
A. G. Abella investiga la peripecia de estos negativos, ocultos durante más de medio siglo, que han sobrevivido a un largo viaje.

La Maleta Mexicana. El redescubrimiento de los negativos de la Guerra Civil española de Capa, Chim y Taro | Museo de Bellas Artes de Bilbao. Hasta el 10.06.2012 >>
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La Maleta Mexicana vuelve a España / I

La Maleta Mexicana vuelve a España / I

1.3.2012 | A. G. Abella

Mucha información. Demasiada e inconexa. 4.500 negativos sobre la guerra civil española aparecen en unas cajas de bombones después de más de 70 años...

La Maleta Mexicana. El redescubrimiento de los negativos de la Guerra Civil española de Capa, Chim y Taro | Museo de Bellas Artes de Bilbao. Hasta el 10.06.2012 >>
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Ernesto Bazan. En Busca de la Vida Cotidiana

Ernesto Bazan. En Busca de la Vida Cotidiana

10.10.2011 | aaaaarte
Una VídeoEntrevista de Celia Hernández para aaaaarte

Dos series de fotografías realizadas por Ernesto Bazan durante sus 14 años de estancia en Cuba componen esta exposición, que ilustra dos maneras de hacer pero una sola y permanente inquietud por la vida >
Hasta el 12 de noviembre en la Galería Rita Castellote >
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Noël Burch: ‘La Globalización es Mortífera’

Noël Burch: ‘La Globalización es Mortífera’

1.10.2011 | aaaaarte
Una VídeoEntrevista de Celia Hernández para aaaaarte

Noël Burch habla con Celia Hernández del mar, el consumo y el capitalismo con motivo de la proyección en Barcelona, durante el festival Loop Videoart 2011, de la película-ensayo "The Forgotten Space" realizada en colaboración con Allan Sekula
"The Forgotten Space" continúa itinerando por todos los rincones del mundo: Madrid, Ljubljana, Buenos Aires, Seoul, Warsaw... >
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Centro Niemeyer. Mucho Continente, Poco Contenido

Centro Niemeyer. Mucho Continente, Poco Contenido

14.9.2011 | Pérez de Viñaspre
Exposiciones refritadas y montajes grandilocuentes con vocación de espectáculo, colocan al centro Niemeyer, que programa de todo, en la periferia de la periferia, un circuito de segunda mano que despacha, principalmente, personajes famosos y nombres sonoros.
Para colmo, el nuevo gobierno de Asturias acusa a la Fundación de graves irregularidades económicas >
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Vida Contemporánea en la Fundación Helga de Alvear (Cáceres)

Vida Contemporánea en la Fundación Helga de Alvear (Cáceres)

16.7.2011 | David García

· 'Historias de la vida material'
· Hasta el 4 de septiembre

Segunda exposición del Centro de Artes Visuales Fundación Helga de Alvear que cumple un año de vida. Una selección de la colección donada a Cáceres por la galerista.
Imagen: Markus Raetz, 'Si-No' (vista del Si), 1996, latón
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54 Biennale di Venezia / 2011

54 Biennale di Venezia / 2011

16.6.2011 | Redacción
El pabellón español / Dora García / Mabel Palacín / Los Pabellones / Official Awards /Prensa, fotogalerías, vídeos...
4 giugno–27 novembre 2011 >
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Mónica Sánchez–Robles. <em>Desde el Negro</em>

Mónica Sánchez–Robles. Desde el Negro

9.6.2011 | aaaaarte
Espacio Pepe Pisa. Hasta el 30 de junio >
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Ribera, alias ‘el Maestro del Juicio’

Ribera, alias ‘el Maestro del Juicio’

27.5.2011 | A. G. Abella
El joven Ribera. En el museo del Prado hasta el 31 de julio / Prorrogada hasta el 28 de agosto >
Las recientes investigaciones sobre las pinturas atribuidas durante décadas a un tal 'Maestro del Juicio de Salomón' vienen a confirmar quién era el verdadero autor. El Museo Nacional del Prado reúne la obra del joven Ribera durante su estancia en Italia, a la que llegó con apenas 15 o 16 años. Una oportunidad para contemplar obras repartidas por todo el mundo >
Imagen: 'Juicio de Salomón', José de Ribera / Maestro del juicio del Solomón. Óleo sobre lienzo, 153 x 201 cm. h. 1609-1610 /Roma, Galleria Borghese
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Kcho: <em>“Crear es una responsabilidad”</em>

Kcho: “Crear es una responsabilidad”

12.5.2011 | aaaaarte

Una VídeoEntrevista de Celia Hernández para aaaaarte

Pintar es como hacer poesía, pintar es narrar, la pintura es la versión de un artista sobre la realidad. El cubano, Kcho, habla para aaaaarte con motivo de su exposición -dibujos y escultura- en la galería Marlborough Barcelona.
Hasta el 8 de junio >
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Chardin. La Magia de lo Real

Chardin. La Magia de lo Real

18.3.2011 | A. G. Abella
Los cuadros de Chardin no hablan. Lo real no tiene nada que decir y la pintura, cuando es verdadera, tampoco.
Primera gran exposición en España.
En el Museo del Prado hasta el 29 de mayo >
Imagen: La raya, también llamado Interior de cocina (1725-1726). Óleo sobre lienzo, 114 x 146 cm /Museo del Louvre, París
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Ángela de la Cruz. La Pintura es un Objeto

Ángela de la Cruz. La Pintura es un Objeto

3.2.2011 | David García
Tres esculturas-pinturas y un objeto-mueble, apenas cuatro piezas, pero recientes, de una figura imprescindible que no resulta, ay!, profeta en su tierra.
Hasta el 5 de marzo en Helga de Alvear >
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Expos 2011. No-te-las-puedes-perder

Expos 2011. No-te-las-puedes-perder

8.1.2011 | David García
Enero-noviembre >
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Jean-Michel Basquiat. SAMe Old shit. SAMO

Jean-Michel Basquiat. SAMe Old shit. SAMO

19.12.2010 | A. G. Abella
Los escaparates tapiados con tablas, las mugrosas esquinas, los arañazos, las rasgaduras, los restos de vagabundos, son llevados por Basquiat a grandes lienzos. El grafitero ha muerto. Nace una estrella.
Antes en la Fundación Beyeler y ahora en el Museo de Arte Moderno de la Villa de París. Hasta el 30 de enero >
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Miles Davis. Música Pintada

Miles Davis. Música Pintada

29.11.2010 | Jara Fernandez
Del improbable cruce que hubiese supuesto que Wassily Kandinsky se hubiese ido de copas una noche con Jean-Michelle Basquiat podría haber surgido la obra gráfica de Miles Davis.
Gallery 27. Cork Street W1 London, del 7 al 11 de diciembre >
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Made in USA. <br />Americanos de la Phillipps Collection en Mapfre

Made in USA.
Americanos de la Phillipps Collection en Mapfre

10.11.2010 | A. G. Abella
Del realismo decimonónico al expresionismo abstracto, un siglo entero de historia de la pintura americana.
En la Fundación Mapfre. Hasta el 16.01.2011 >
+
Laughlin Phillips: cómo ser Presidente de la Phillips Collection y agente de la CIA
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Una Vuelta por Estampa 2010

Una Vuelta por Estampa 2010

20.10.2010 | Redacción
Precios, técnicas y autores para todos los gustos
Hasta el 24.10.2010 >
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Renoir en el Prado. Esa Amable, Alegre y Bonita Pasión

Renoir en el Prado. Esa Amable, Alegre y Bonita Pasión

14.10.2010 | A. G. Abella
Pasión por Renoir, 31 obras de la colección del Sterling and Francine Clark Art Institute, en el Museo del Prado (con la garantía del Estado).
Hasta el 13.02.2011 >
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Lancôme Mete a Testino en el Museo Thyssen

Lancôme Mete a Testino en el Museo Thyssen

21.9.2010 | David García
Tras el "publirreportaje" llega el "publiarte". Si te apetece ver páginas ampliadas de revistas de lujo (Vogue, The Face, Visionaire, Vanity Fair, V Magazine, Allure)... esta es tu exposición.
Mario Testino, de la mano de Lancôme, en el Museo Thyssen.
Hasta el 9 de enero de 2011 >
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Musac, un Museo para Desarmar

Musac, un Museo para Desarmar

10.9.2010 | Josep Torres Campalans
“Modelos para armar. Pensar Latinoamérica desde la Colección Musac”
Hasta el 09.01.2011 >

MUSAC: menos presupuesto, menos compras y menos exposiciones. En su V aniversario el relato de su breve historia, repleto de sabrosas sorpresas y suculentas coincidencias, no tiene desperdicio.
El entramado de empresas - Gesturcal, La Fundación Siglo, Teconsa- hacen de su gestión un perfecto ejercicio de opacidad >
(Imagen: Agustín Pérez Rubio, director del MUSAC)
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Antifotoperiodismo. Disfruta la Pobreza

Antifotoperiodismo. Disfruta la Pobreza

15.7.2010 | A. G. Abella

EXPO. 27 autores plantean alternativas al fotoperiodismo actual, hasta qué punto su trabajo es susceptible de ser manipulado por los media y cómo el monopolio del periodismo profesional está siendo erosionado.
En La Virreina hasta el 10 de octubre >
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Qué Mal Envejeces, Miquel

Qué Mal Envejeces, Miquel

26.6.2010 | Pérez de Viñaspre
Un enorme elefante patas arriba, grandes telas, cerámicas y esculturas, acuarelas, dibujos, pósters, libros y cuadernos de viaje.
Miquel Barceló. 1983-2009, en CaixaForum
Hasta el 09.01.2011 >
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Turner y los Maestros. El Admiral Booth Atraca en el Prado

Turner y los Maestros. El Admiral Booth Atraca en el Prado

23.6.2010 | A. G. Abella
Turner y los Maestros, en el Museo del Prado
Con obras de Rembrandt, Rubens y Claudio de Lorena, entre otros
Hasta el 19 de septiembre de 2010 >
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Retablos sin Penumbra y Tablas sin Pátina

Retablos sin Penumbra y Tablas sin Pátina

1.5.2010 | A. G. Abella
Siete nuevas salas del museo del Prado, rehabilitadas por Moneo, acogen los fondos de pintura española del Románico al Renacimiento
+ Obra, autores, procedencias y adquisiciones >
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La Terapia de Martín Ramírez

La Terapia de Martín Ramírez

8.4.2010 | A. G. Abella
Otra historia de reconocimiento tardío. La obra de un "enfermo mental" psiquiatrizado llega a los museos.
En el Reina Sofía, hasta el 12 de julio >
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Hamilton, Fuera de Lugar

Hamilton, Fuera de Lugar

24.3.2010 | A. G. Abella
Las meninas de Picasso de Richard Hamilton (1973)
Museo del Prado. Hasta el 30 de mayo >
Una broma pesada que vuelve a contravenir el Real Decreto de 1995 que fija la separación del Prado y del Reina Sofía en 1881, año del nacimiento de Picasso >
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Las Hijas de Edward Darley Boit, Invitadas en El Prado

Las Hijas de Edward Darley Boit, Invitadas en El Prado

17.3.2010 | A. G. Abella

"Las hijas de Edward Darley Boit" de John Singer Sargent, obra invitada en el Museo del Prado, se presenta junto a "Las Meninas de Velázquez"
Hasta el 30 de mayo >
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Armaduras a Medida

Armaduras a Medida

9.3.2010 | A. G. Abella

El arte del poder. La Real Armería y el retrato de corte
Museo del Prado (viene de la National Gallery of Art de Washington)
Hasta el 23.05.2009>
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Gilbert & George European Tour.<br/> Málaga, primera parada

Gilbert & George European Tour.
Málaga, primera parada

9.2.2010 | David García
El Centro de Arte Contemporáneo de Málaga se apunta, primer, a la gira europea de Gilbert & George (G&G) y sus 'Jack Freak Pictures' >
Hasta el 9 de mayo >
+ prensa, vídeo y últimas cotizaciones >
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75 Años de MNAC

75 Años de MNAC

10.1.2010 | Josep Torres Campalans
Para conmemorar el 75 aniversario del Museu Nacional d’Art de Catalunya Maria Teresa (Maite) Ocaña i Gomà, directora, y Cristina Mendoza, subdirectora, han organizado una lección de historia del "arte catalán".
'Convidats d'honor'. Hasta el 11 de abril >
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Españolas en Art Basel Miami 09

Españolas en Art Basel Miami 09

3.12.2009 | Redacción
Helga de Alvear, Pepe Cobo y cía, Salvador Díaz , Distrito 4, Nogueras Blanchard, Leandro Navarro, Elvira González, Horrach Moya, Maisterravalbuena, Polígrafa Obra Gráfica, Travesia Cuatro. +Españolas en Pulse. Lo que llevan a Miami las galerías españolas (+ prensa y vídeo)
Hasta el 6 de diciembre >
/actualizado el 7.12.2009
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Los momentos exactos de Gloria García Lorca

Los momentos exactos de Gloria García Lorca

25.11.2009 | David García

Metáforas asombrosas. La potencia, el crecimiento y la explosión de las formas de la naturaleza. Obra reciente, esculturas en chapa de hierro, 2009.
Hasta el 10 de enero en Travesía Cuatro >
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33 retratos de la colección del MASP

33 retratos de la colección del MASP

15.11.2009 | Pérez de Viñaspre
Retratos de Ticiano, Velázquez, Hals, van Dyck, Gainsborough, Goya, Cézanne, Manet, Renoir, Tolouse Lautrec, Modigliani, Picasso. Mirar y ser visto, Olhar e Ser Visto, otra secuela itinerante que llega, en este caso mutilada, del Museu de Arte de São Paulo a la Fundación Mapfre>
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El ‘Cabanon’, de Le Corbu, en A Coruña

El ‘Cabanon’, de Le Corbu, en A Coruña

13.11.2009 | Josep Torres Campalans
Una réplica de 'Cabanon', la casa de vacaciones que planeó y construyó Le Corbusier en 1951 para su propio uso en la Costa Azul, pieza principal de la exposición 'LC 25+1 aproximaciones a una arquitectura'. En la escuela de Arquitectura de A Coruña >
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La arquitectura invade los museos

La arquitectura invade los museos

8.11.2009 | David García
Llegan, con el retraso correspondiente, exposiciones itinerantes dedicadas a los arquitectos estrella. Pasaron Norman Foster y Richard Rogers, Alvar Aalto está a punto de cerrar, pero Palladio en CaixaForum, Niemeyer en la Fundación Telefónica y Lloyd Wright en el Guggenheim siguen abiertas al público.
Consultar fechas >
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Rafael Canogar y el barrido al óleo

Rafael Canogar y el barrido al óleo

1.10.2009 | Pérez de Viñaspre
Canogar da una vuelta de tuerca en la obra reciente que expone en la galería Álvaro Alcázar, una vuelta que le lleva al lienzo con grandes superficies de color y, oh sorpresa, barridos de óleo >
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Richter no tiene precio

Richter no tiene precio

19.9.2009 | David García
'Abstract Paintings', un pequeño pero intenso recorrido, desde 1970 hasta el presente, por la obra de Richter.
En la galería Arnés+Röpke, hasta finales de octubre >
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Las largas vacaciones de monsieur Matisse en la Costa Azul

Las largas vacaciones de monsieur Matisse en la Costa Azul

14.6.2009 | David García
Matisse, en el Thyssen Bornemisza y Sorolla en el Prado, dos contemporáneos frente a frente, para la temporada de verano.
Hasta el 20 de septiembre >
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Barceló y los leones de Venecia

Barceló y los leones de Venecia

7.6.2009 | Redacción
Barceló, en el pabellón español de la Bienal de Venecia + El pabellón catalán + La ruleta rusa de Tania Bruguera en el pabellón de Murcia
+ vídeo y prensa >
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Sorolla, Bancaja y Bud Spencer

Sorolla, Bancaja y Bud Spencer

27.5.2009 | Josep Torres Campalans
Ya está en el museo del Prado la antológica de Sorolla que incluye las estampas más tópicas de sus 'Visiones de España', la itinerante patrocinada por Bancaja.
Hasta el 13 de septiembre >
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La colección MACBA según Marí

La colección MACBA según Marí

16.5.2009 | Josep Torres Campalans
Tres "posibles itinerarios" para acercarse a "Temps com a matèria", la gran presentación de la colección y nuevas adquisiciones del MACBA del nuevo director Bartomeu Marí i Ribas >
Hasta el 31 de agosto >
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Carla Bruni visita a Julio González (pero no a Juan Muñoz)

Carla Bruni visita a Julio González (pero no a Juan Muñoz)

28.4.2009 | David García
Julio González (*1876†1942), de adopción parisina, figura imprescindible de la historia de la escultura del siglo XX.
Antológica en el MNCARS. Hasta el 1 de junio >
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Un figurativo español y dos chinos

Un figurativo español y dos chinos

20.4.2009 | David García
Sólo pintura-pintura. Y, además, figurativa. Juan Gallego en Fernando Pradilla > Los hermanos Guo Jin y Guo Wei en Dolores de la Sierra >
Madrid. Ver fechas>
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Les Rancontres, en Madrid

Les Rancontres, en Madrid

15.4.2009 | Redacción
del 16 al 25 de abril >
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De protesta, poesía visual y otros homenajes

De protesta, poesía visual y otros homenajes

15.4.2009 | Josep Torres Campalans
Tres exposiciones, PSJM, Perejaume y Ana Corberó, tres (o cuatro) artistas y tres maneras de estar en la escena contemporánea >
Barcelona. Hasta finales de abril y mayo >
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Vítor Mejuto, la rebelión de los polígonos

Vítor Mejuto, la rebelión de los polígonos

3.4.2009 | Redacción
Hasta el 30.04.09 >
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Cai Guo-Quiang, de gira por provincias

Cai Guo-Quiang, de gira por provincias

1.4.2009 | Pérez de Viñaspre
El primer solo de un artista chino en el Guggenheim Bilbao. Hasta el 6 de septiembre >
+vídeo >
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Sí, Galicia también es contemporánea

Sí, Galicia también es contemporánea

15.3.2009 | Pérez de Viñaspre
Winter/Höerbelt en la galería scq de Santiago de Compostela>
Jasmina Cibic en AdHoc, Vigo >
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El cGac enseña sus fondos

El cGac enseña sus fondos

14.3.2009 | Pérez de Viñaspre
El centro Gallego de Arte contemporáneo (cGac) acaba de inaugurar dos exposiciones en torno a la base material de sus propios fondos >
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Fontcuberta. Blow up al cuadrado

Fontcuberta. Blow up al cuadrado

6.3.2009 | Josep Torres Campalans
Galería Ángels Barcelona. Hasta el 28.03.09 >
Lo último de lo último de Joan Fontcuberta >
De paso: Ángel Marcos + Marine Hugonnier >
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Jota Castro denuncia…

Jota Castro denuncia…

3.3.2009 | David García
Galería Oliva Arauna. Madrid. Hasta el 14.03 >
El trabajo de un activista que convierte sus deseos de denuncia en piezas de reflexión >
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…y Fernando Sánchez Castillo dispara

…y Fernando Sánchez Castillo dispara

3.3.2009 | David García
Juana de Aizpuru, Madrid. Hasta el 10 de marzo >
Video, instalaciones, fotografía, pintura. Disturbios y antidisturbios >
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La seducción intantánea de Cildo Meireles

La seducción intantánea de Cildo Meireles

26.2.2009 | Josep Torres Campalans
MACBA. Hasta el 26 de abril >
De la factoría de la Tate Modern, una retrospectiva del instigador y pionero de la instalación >
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Anselm Kiefer. La luz, apagada, al final del tunel

Anselm Kiefer. La luz, apagada, al final del tunel

24.2.2009 | Josep Torres Campalans
Anselm Kiefer. Es Baluard. Mallorca. Hasta el 30.08 >
Un mundo post-nuclear, deshabitado, repleto de ruinas, paisajes desolados, mapas imposibles y plantas carbonizadas >
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Copyright © Murakami

Copyright © Murakami

20.2.2009 | Pérez de Viñaspre
Takashi Murakami. Museo Guggenheim. Bilbao. Hasta el 31 de mayo >
Camisetas, 45€, cojines, 90€, peluches, 25€. El triunfo del merchandising >
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La Sombra, El dudoso Triunfo del Digest-Art

La Sombra, El dudoso Triunfo del Digest-Art

11.2.2009 | Josep Torres Campalans
(La Sombra. Museo Thyssen / Fundación CajaMadrid) Producen un cierto cansancio estos cursos digestivos de historia del arte, estas exposiciones temáticas de vertiginoso recorrido >
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Centelles. Evans. Los años difíciles del fotoperiodismo

Centelles. Evans. Los años difíciles del fotoperiodismo

2.2.2009 | David García
Centelles es a la guerra civil española (Annta Gallery) lo que Walker Evans es a la Gran Depresión americana (Fundación Mapfre) >
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Joan Rabascall vuelve a casa

Joan Rabascall vuelve a casa

1.2.2009 | Josep Torres Campalans
Consumo, moda, turismo, tecnología, política, sexo, toda la imagenería encantadora del edificio desarrollista es materia de escrutinio y análisis para este barcelonés casi inédito en su propio país >
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Li Wei. ¿Quién anda ahí?

Li Wei. ¿Quién anda ahí?

26.1.2009 | David García
Tiene Li Wei (Feng Cheng, 1975) un sentido natural del suspense que deposita en forma de fragmentos de historias sin historia, sin planteamiento ni desenlace, en sus enormes óleos >
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Todo multi: Nowhere/Now/Here+There’s no road

Todo multi: Nowhere/Now/Here+There’s no road

22.1.2009 | David García
Hasta mediados de marzo se pueden visitar dos completísimas exposiciones multitodo -diseño experimental y vídeo- en la Laboral de Gijón >
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Los cacharritos de Patricia

Los cacharritos de Patricia

19.1.2009 | Pérez de Viñaspre
Servicios de té, cristalería, vajilla, todo el proceso creativo, de la idea al concepto y del prototipo al producto acabado, ha exhibido Patricia Urquiola en el Desing Museum durante este invierno >
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Estermann. Ciudades al instante

Estermann. Ciudades al instante

18.1.2009 | David García
Lorenz Estermann (Linz,1968) expone por primera vez en Madrid su trabajo en papel junto a modelos tridimensionales, objetos que conectan pintura-dibujo, escultura-instalación, arquitectura y fotografía >
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Gerardo Delgado: siete por dos catorce, más dos, dieciseis

Gerardo Delgado: siete por dos catorce, más dos, dieciseis

15.1.2009 | Josep Torres Campalans
Siete dípticos -catorce piezas de una nueva serie- y dos solos, junto a una serie de fotografías, balance 2008 de Gerardo Delgado >
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Papeles (y dos óleos) de Albacete

Papeles (y dos óleos) de Albacete

13.1.2009 | David García
Presenta Alfonso Albacete, en la Marlborough, dos óleos -dentro de la irregular "muestra de invierno" que incluye alguna firma de escasísimo interés- y 10 serigrafías >
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85 años haciendo Tàpies

85 años haciendo Tàpies

28.12.2008 | Josep Torres Campalans
Cumple Antoni Tàpies sus 85 años -13 de diciembre- exhibiendo su trabajo más reciente: pintura y ensamblajes sobre madera y tela en Madrid y obra sobre papel y cartón ondulado en París >
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Manel Esclusa hurga en las sombras

Manel Esclusa hurga en las sombras

13.12.2008 | David García
¿Qué hay en las sombras de un paisaje? No es una pregunta retórica, una mera cuestión técnica, de detalle, de revelado, un problema de diafragma y exposición, un enunciado académico. Es una forma incruenta de caza >
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Empieza, con puntos rojos, la temporada navideña de Sen

Empieza, con puntos rojos, la temporada navideña de Sen

12.12.2008 | David García
12.11.09. Ayer inauguró, y ya se vieron puntos rojos, la exposición colectiva que por estas fechas tiene por costumbre montar la galería Sen.
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De Bellver, Bloc, Flores y otros artistas gráficos

De Bellver, Bloc, Flores y otros artistas gráficos

11.12.2008 | David García
El Premio Nacional de Arte Gráfico 2008, Fernando Bellver, expone en la galería Pelayo47. Enrique Flores publica algunos dibujos en el nº2 de Bloc que se presentó en Sins Entido donde también expone Juanjo Sáez.
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Vuelve, Arroyo vuelve

Vuelve, Arroyo vuelve

21.11.2008 | Josep Torres Campalans
Vuelve Eduardo Arroyo, un año más por estas mismas fechas, a la galería Estampa. Las acuarelas de la anterior -Tu nombre viene lento- se han tornado ahora en lámparas, ventanas, platos, candelabros...
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Miguel Zugaza se apunta unas piedras

Miguel Zugaza se apunta unas piedras

20.11.2008 | Pérez de Viñaspre
Un puntazo para Miguel Zugaza, director del Prado, que ha aprovechado el cierre temporal del Museo Albertinum y la cesión de sus mejores obras, para rescatar Las Musas, 20 esculturas de la propia colección.
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Cy Twombly, tres tazas

Cy Twombly, tres tazas

20.11.2008 | David García
Con la incorporación a los fondos del museo Guggenheim de los Nueve discursos sobre Cómodo de Twombly, Carmen Giménez ha organizado esta panorámica que reúne materiales desde 1951 a la actualidad.
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1914, la guerra (refritada) está servida

1914, la guerra (refritada) está servida

11.11.2008 | Josep Torres Campalans
Tras el chasco de la última exposición de Miró, que no cubrió las expectativas en número de visitas, llega ahora este panorama del arte de vanguardia con la esperanza de recuperar el favor del público.
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El dirty-acid-pop de Laurina Paperina

El dirty-acid-pop de Laurina Paperina

7.11.2008 | David García
Derrocha Laurina un humor ácido, cínico, divertido, que propone una Disneylandia al revés. Un estilo aparentemente para niños poblado de personajes inspirados en el cómic popular.
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Bermejo. Hágase la medialuz

30.10.2008 | David García
Vuelve Fernando Bermejo a Madrid a encender la luz de sus últimos trabajos. Acrílico sobre papel japonés e italiano, retroiluminado en piezas grandes.
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FEM’08. Nuevos y novísimos

27.10.2008 | David García
Del 21 al 26 de octubre se pudo visitar en la Casa de Vacas del Retiro de Madrid FEM'8, la última edición del festival que presenta lo más nuevo en arte contemporáneo.
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Burtynsky, de cantera en cantera

4.7.2008 | David García
La galería Toni Tàpies de Barcelona exhibe la primera exposición de Edward Burtynsky en España, después de haberle representado en ARCO este mismo año. La exposición de Barcelona es sólo una breve muestra de lo que se puede ver ahora en Madrid en la galería Arnes y Ropke.