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Miércoles, 22.5.2013


EXPONE

Para cualquier consulta sobre los originales, escribe a contacto.

Puedes adquirir originales de esta exposición a través de ésta página o diréctamente del autor.

ANTERIORES
Jorge Palacios. El Discurso de la Madera
Gerard Fernández Rico. Elogio de la Química y Refutación del Cálculo
Carlos Evangelista. Del Misterio y del Orden
Fernando Alcalde. El volumen, el Peso y el Tacto
Francesca Greco. Cuando Vosotros Erais Pájaros
Para ver todas las exposiciones anteriores consulta la lista que encontrarás al final de esta página.

Juan Díaz. Pintar con Agua


Juan Díaz es
capaz de reformar una casa entera para abrir un ventanal justo en el muro desde el que se ve el mar y el paso de las estaciones del año, una casa asomada a un paisaje de aquellos que a todos nos gustaría guardar para siempre cuando, en cualquier momento, aparece la marina perfecta.
Y el tiempo se detiene.
Y todo es espacio.

Juan es un gran cazador y su territorio abarca no solo la costa cantábrica, desde la playa de Salinas a la de Hendaya, sino valles y montes asturianos, páramos de Castilla o de la Patagonia o rincones y canales de Venecia. Para cobrar tal clase de piezas, huidizas por naturaleza, no utiliza mas que agua por toda munición. Agua sobre agua sobre agua.

Este hombre es un rebelde y está empeñado en renovar la acuarela y rescatarla de la moda, de lo “bonito” y, sobre todo, de lo pintoresco. Y lo hace saltándose aquellas reglas del género que limitan la dignidad o el valor de la obra. Ni la paleta, ni el soporte ni el formato, nada respeta si no está al servicio de la creación en libertad. Un día de invierno en Gijón, un paseo por la playa de San Lorenzo, desde el náutico al Rinconín, cabe en apenas 40 cm de alto por 405 de largo. Y San Giorgio, visto al atardecer desde San Marcos, en 138 cm de alto por 25 de ancho. Así son sus pinturas, escenas mas horizontales que el horizonte mismo o profundamente verticales, dípticos, cuadrípticos, polípticos, esculturas… pecados mortales para los ortodoxos de la disciplina.

No hay mas que escucharle hablar de la elección correcta del peso, el grano y el color del papel (Arches, Fabriano, Fontenay, o el fabricado a mano en San Sebastián…) ver cómo administra el color, la profundidad de la transparencia, la variedad de la mancha o el trazo o la unidad de la luz, para comprender que lo que hace Juan, aunque parezca lo contrario, es pura abstracción.
Por eso uno puede entrar en cualquiera de sus cuadros y darse un buen paseo por dentro, de una punta a la otra, con los pantalones remangados mojándose los pies. O ir derechito a tomar un Bellini, o dos, en el piso de arriba del Harry’s Bar.
No hay que olvidar la gabardina. Correrá el agua.

Marzo de 2013. David García

……………………………………………………………………………………………..

Juan Díaz
Acuarelas
Consultar precios

Fotogalería. Pincha en cualquier imagen para verla completa


……………………………………………………………………………………………..
+
>EXPO: 15.03 – 9.04.2013. Galeria Van Dyck, Gijón, 985 34 49 43
+
>Juan Díaz, acuarelista y mucho más lne

Anteriores
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Jorge Palacios. El Discurso de la Madera

Jorge Palacios. El Discurso de la Madera

8.12.2012 | David García
Jorge Palacios (Madrid, 1979) ya está lanzado y a mitad de carrera lo que quiere decir, simplificando mucho, que tiene hechos los deberes de joven artista: exposiciones colectivas e individuales en galerías locales antes de los 30 y exposiciones en instituciones y ferias internacionales antes de los 35. En el próximo futuro deberá presentar un [...]
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Gerard Fernández Rico. Elogio de la Química y Refutación del Cálculo

Gerard Fernández Rico. Elogio de la Química y Refutación del Cálculo

19.9.2012 | David García
Debido a las leyes del tiempo y el espacio, Gerard Fernández Rico (Barcelona, 1977) nunca pudo asistir físicamente a ninguno de los seminarios titulados "Generación Automática de Formas Plásticas" que se impartieron en el Centro de Cálculo de la Universidad de Madrid (1968-74). Pero sí tuvo que tener encuentros, aunque fuera más tarde, con [...]
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Carlos Evangelista. Del Misterio y del Orden

Carlos Evangelista. Del Misterio y del Orden

10.5.2012 | David García
Cuando uno lleva dándole a lo suyo más de 40 años es porque no está sometido al mercado, ni a la moda, ni a ningún otro dictado que no sea el del propio quehacer. Es el caso de Carlos Evangelista (Salamanca, 1943) que no ha parado de demostrar fidelidad a su personal criterio y [...]
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Fernando Alcalde. El volumen, el Peso y el Tacto

Fernando Alcalde. El volumen, el Peso y el Tacto

28.11.2011 | David García
Para obtener el rojo, el más difícil de todos, hay que eliminar el oxígeno en el tercer fuego. Y para conseguirlo hay que estar dispuesto a emprender un largo camino, superar pruebas y pruebas, horas de esmaltes, proporciones y pesadas, tiempos y temperaturas de cocción, sobreponerse al desánimo y la decepción, intentarlo de nuevo [...]
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Francesca Greco. Cuando Vosotros Erais Pájaros

Francesca Greco. Cuando Vosotros Erais Pájaros

27.7.2011 | A. G. Abella
..No sé si habéis visto alguna vez el mapa de la mente de una persona. A veces, los médicos trazan mapas de otras partes de vuestro cuerpo, y vuestro propio mapa puede resultar enormemente interesante; pero ¿a que no los pilláis dibujando el mapa de la mente de un niño? Porque esa mente no sólo [...]
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<em>Very Nice</em>. Por Pepe Botella

Very Nice. Por Pepe Botella

4.6.2011 | David García
Para los que han tenido contacto con la fotografía española de las últimas décadas Pepe Botella no necesita presentación. Es uno de los grandes. Para los demás mortales cabe un cien por cien de posibilidades de que se hayan alimentando con sus imágenes, sin saberlo, a través de sus colaboraciones en las revistas más exigentes [...]
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Jorge Zarco. De Cómo Deconstruir el Bodegón Floral

Jorge Zarco. De Cómo Deconstruir el Bodegón Floral

8.4.2011 | David García
En el campo de las “Comercial Arts” y las “Comunications Arts” Jorge Zarco (Madrid 1959) tiene un lugar bien ganado por su archirreconocida carrera: es uno de los maestros. Maneja a cuatro manos los oficios -grafista, diseñador, tipógrafo, creativo- que lleva perfeccionando a diario durante las últimas tres décadas. Y, pinta.  El universo del Pop [...]
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Ignacio Canales Aracil. De la Fragilidad del Tiempo y Otros Poemas

Ignacio Canales Aracil. De la Fragilidad del Tiempo y Otros Poemas

24.1.2011 | David García
Lo que hace Ignacio Canales Aracil (Madrid, 1984) antes que nada, es poesía. Ignacio es un poeta. Pero al caer la noche las dudas que ofrece el azar me hacen pensar, pues el futuro con todas sus horas corre frente a mi como un campo sin trabajar reprochando mi ausencia Es un poeta que tiene [...]
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Alejandro Cabrera. Retratos y Movidas

Alejandro Cabrera. Retratos y Movidas

15.12.2010 | David García
Entre finales de los setenta y mediados de los ochenta Madrid se agitaba en torno a La Movida, ese movimiento contracultural que se desató con la Transición política y lo invadió todo: bares, revistas, emisoras, programas de televisión, películas, grupos musicales, diseñadores, estilistas, pintores, poetas… y, cómo no, fotógrafos. Javier Campano, Alberto García Alix, Miguel [...]
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Pep Carrió. Diari de l’Hereu

Pep Carrió. Diari de l’Hereu

13.10.2010 | David García
No sé cómo se las apaña Pep Carrió (Palma de Mallorca, 1963) para bailar con lobos y salir, impecable, de tales peligros. Eso sí que es un arte. Inteligentes, limpísimas y eficaces colecciones de libros y portadas para Espasa, Santillana, Taurus y la AECID, catálogos y memorias para el ministerio de Cultura, el Gran Teatre [...]
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De Pura Sangre. Por Peter Müller Peter

De Pura Sangre. Por Peter Müller Peter

28.7.2010 | David García
Retratos de dos aristocracias: la del caballo y la de la pintura. Juntos. Impresionantes.
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Ouvrir la fenêtre. Por Isidro Ferrer

Ouvrir la fenêtre. Por Isidro Ferrer

20.5.2010 | David García
Isidro Ferrer (Zaragoza, 1963), valga el tópico, no necesita presentación. Es Premio Nacional de Diseño 2002 y Premio Nacional de Ilustración 2006. Una gloria nacional, vaya. a Desde su miniempresa de Huesca (el mismo es el jefe y el empleado) hace demostración, una más, de que la periferia es el centro. O viceversa, que el [...]
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Porlacara. Por Ceferino López

Porlacara. Por Ceferino López

30.3.2010 | David García
Ceferino López (Mérida, 1954) es, prácticamente, el fotógrafo y diseñador y webmaster de Mérida. Así que Ceferino vive en una ciudad monumental y encima tiene la suerte de estar en contacto directo con el Museo Nacional de Arte Romano y el Festival de Teatro de Mérida desde hace más de una década. Nada menos. Y [...]
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Raquel Moreno y el re-cycling, re-using, up-cycling art

Raquel Moreno y el re-cycling, re-using, up-cycling art

10.3.2010 | David García
Raquel, que propone no solo objetos sino un estilo de vida, es una creadora que está, ahora mismo, en plena progresión. Y, si no, al tiempo >
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Argelia. Por Enrique Flores

Argelia. Por Enrique Flores

23.1.2010 | David García
Argelia, su última aventura, ha dado fruto: un par de sistemáticas colecciones de fotografías documentales (ver aquí y aquí), varios cuadernos de apuntes y, por fin, un puñado de acuarelas ligerísimas, repletas de delicados detalles, magníficas. Es, casi, casi, como viajar con él >
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Apocalípsis 2.0 y Fallen-Hominization. Por Juan de Marcos

Apocalípsis 2.0 y Fallen-Hominization. Por Juan de Marcos

16.12.2009 | David García
Juan de Marcos, 1976, Madrid, es uno de los pocos fotógrafos jóvenes que mantiene un punto de vista coherente, desde el inicio, en todo lo que hace. Su mirada, nórdica, casi calvinista, es totalmente sorprendente aunque, dejémoslo claro, no estamos ante un fotógrafo que sale a la calle a ver si caza una sorpresa para [...]
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Vanitas. Por Fernando Vicente

Vanitas. Por Fernando Vicente

6.9.2009 | Redacción
Fernando Vicente (Madrid,1963) es un cirujano con mucho tajo de quirófano encima. Un hombre, en todos los sentidos, limpio. No se deja las gasas por ahí tiradas, no. Basta ver sus acabados para darse cuenta de la espontaneidad bien trabajada y el control que, sin aparente esfuerzo, ejerce sobre el dibujo, el trazo o el [...]
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A pie de calle. Por Joan-Lluís Arruga

A pie de calle. Por Joan-Lluís Arruga

11.4.2009 | Redacción
Presenta, en esclusiva para aaaaarte, un trabajo de altísima calidad técnica y enorme serenidad realizado en la China anterior a la globalización.
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Fotografía reciente. Por Paco Navarro

Fotografía reciente. Por Paco Navarro

25.1.2009 | Redacción
Cuando Paco Navarro (1959) no está rodeado de estilistas, maquilladores, peluqueros, y las modelos más guapas del mundo, se pone a trabajar en sus cosas. Expone aquí parte de su más reciente trabajo de autor.