Juan Díaz es capaz de reformar una casa entera para abrir un ventanal justo en el muro desde el que se ve el mar y el paso de las estaciones del año, una casa asomada a un paisaje de aquellos que a todos nos gustaría guardar para siempre cuando, en cualquier momento, aparece la marina perfecta.
Y el tiempo se detiene.
Y todo es espacio.
Juan es un gran cazador y su territorio abarca no solo la costa cantábrica, desde la playa de Salinas a la de Hendaya, sino valles y montes asturianos, páramos de Castilla o de la Patagonia o rincones y canales de Venecia. Para cobrar tal clase de piezas, huidizas por naturaleza, no utiliza mas que agua por toda munición. Agua sobre agua sobre agua.
Este hombre es un rebelde y está empeñado en renovar la acuarela y rescatarla de la moda, de lo “bonito” y, sobre todo, de lo pintoresco. Y lo hace saltándose aquellas reglas del género que limitan la dignidad o el valor de la obra. Ni la paleta, ni el soporte ni el formato, nada respeta si no está al servicio de la creación en libertad. Un día de invierno en Gijón, un paseo por la playa de San Lorenzo, desde el náutico al Rinconín, cabe en apenas 40 cm de alto por 405 de largo. Y San Giorgio, visto al atardecer desde San Marcos, en 138 cm de alto por 25 de ancho. Así son sus pinturas, escenas mas horizontales que el horizonte mismo o profundamente verticales, dípticos, cuadrípticos, polípticos, esculturas… pecados mortales para los ortodoxos de la disciplina.
No hay mas que escucharle hablar de la elección correcta del peso, el grano y el color del papel (Arches, Fabriano, Fontenay, o el fabricado a mano en San Sebastián…) ver cómo administra el color, la profundidad de la transparencia, la variedad de la mancha o el trazo o la unidad de la luz, para comprender que lo que hace Juan, aunque parezca lo contrario, es pura abstracción.
Por eso uno puede entrar en cualquiera de sus cuadros y darse un buen paseo por dentro, de una punta a la otra, con los pantalones remangados mojándose los pies. O ir derechito a tomar un Bellini, o dos, en el piso de arriba del Harry’s Bar.
No hay que olvidar la gabardina. Correrá el agua.
Marzo de 2013. David García
……………………………………………………………………………………………..
Juan Díaz
Acuarelas
Consultar precios
Fotogalería. Pincha en cualquier imagen para verla completa
- Salinas 150x90cm.
- Ría del Nalón, 90x150cm
- San Giorgio-Atardecer 138x25cm.
- Venecia I 15x40cm.
- Venecia II 15x40cm.
- Venecia III 15x40cm.
- Huerna I 90x150cm.
- Paseo blanco II 25x20cm.
- Castilla I 54x74cm.
- Huerna II 90x150cm.
- Nocturno-Diurno 150x115cm. Técnica mixta (díptico)
- Niebla en Gijón, 40x135cm
- Políptico Conjunto
……………………………………………………………………………………………..
+
>EXPO: 15.03 – 9.04.2013. Galeria Van Dyck, Gijón, 985 34 49 43
+
>
Juan Díaz, acuarelista y mucho más lne
Anteriores
Array
(
[category_name] => expone
[error] =>
[m] => 0
[p] => 0
[post_parent] =>
[subpost] =>
[subpost_id] =>
[attachment] =>
[attachment_id] => 0
[name] =>
[static] =>
[pagename] =>
[page_id] => 0
[second] =>
[minute] =>
[hour] =>
[day] => 0
[monthnum] => 0
[year] => 0
[w] => 0
[tag] =>
[cat] => 4
[tag_id] =>
[author_name] =>
[feed] =>
[tb] =>
[paged] => 0
[comments_popup] =>
[meta_key] =>
[meta_value] =>
[preview] =>
[s] =>
[sentence] =>
[fields] =>
[menu_order] =>
[category__in] => Array
(
)
[category__not_in] => Array
(
)
[category__and] => Array
(
)
[post__in] => Array
(
)
[post__not_in] => Array
(
)
[tag__in] => Array
(
)
[tag__not_in] => Array
(
)
[tag__and] => Array
(
)
[tag_slug__in] => Array
(
)
[tag_slug__and] => Array
(
)
[ignore_sticky_posts] =>
[suppress_filters] =>
[cache_results] => 1
[update_post_term_cache] => 1
[update_post_meta_cache] => 1
[post_type] =>
[posts_per_page] => 171
[nopaging] =>
[comments_per_page] => 50
[no_found_rows] =>
[order] => DESC
)
8.12.2012 | David García
Jorge Palacios (Madrid, 1979) ya está lanzado y a mitad de carrera lo que quiere decir, simplificando mucho, que tiene hechos los deberes de joven artista: exposiciones colectivas e individuales en galerías locales antes de los 30 y exposiciones en instituciones y ferias internacionales antes de los 35. En el próximo futuro deberá presentar un [...]
Array
(
[category_name] => expone
[error] =>
[m] => 0
[p] => 0
[post_parent] =>
[subpost] =>
[subpost_id] =>
[attachment] =>
[attachment_id] => 0
[name] =>
[static] =>
[pagename] =>
[page_id] => 0
[second] =>
[minute] =>
[hour] =>
[day] => 0
[monthnum] => 0
[year] => 0
[w] => 0
[tag] =>
[cat] => 4
[tag_id] =>
[author_name] =>
[feed] =>
[tb] =>
[paged] => 0
[comments_popup] =>
[meta_key] =>
[meta_value] =>
[preview] =>
[s] =>
[sentence] =>
[fields] =>
[menu_order] =>
[category__in] => Array
(
)
[category__not_in] => Array
(
)
[category__and] => Array
(
)
[post__in] => Array
(
)
[post__not_in] => Array
(
)
[tag__in] => Array
(
)
[tag__not_in] => Array
(
)
[tag__and] => Array
(
)
[tag_slug__in] => Array
(
)
[tag_slug__and] => Array
(
)
[ignore_sticky_posts] =>
[suppress_filters] =>
[cache_results] => 1
[update_post_term_cache] => 1
[update_post_meta_cache] => 1
[post_type] =>
[posts_per_page] => 171
[nopaging] =>
[comments_per_page] => 50
[no_found_rows] =>
[order] => DESC
)
19.9.2012 | David García
Debido a las leyes del tiempo y el espacio, Gerard Fernández Rico (Barcelona, 1977) nunca pudo asistir físicamente a ninguno de los seminarios titulados "Generación Automática de Formas Plásticas" que se impartieron en el Centro de Cálculo de la Universidad de Madrid (1968-74). Pero sí tuvo que tener encuentros, aunque fuera más tarde, con [...]
Array
(
[category_name] => expone
[error] =>
[m] => 0
[p] => 0
[post_parent] =>
[subpost] =>
[subpost_id] =>
[attachment] =>
[attachment_id] => 0
[name] =>
[static] =>
[pagename] =>
[page_id] => 0
[second] =>
[minute] =>
[hour] =>
[day] => 0
[monthnum] => 0
[year] => 0
[w] => 0
[tag] =>
[cat] => 4
[tag_id] =>
[author_name] =>
[feed] =>
[tb] =>
[paged] => 0
[comments_popup] =>
[meta_key] =>
[meta_value] =>
[preview] =>
[s] =>
[sentence] =>
[fields] =>
[menu_order] =>
[category__in] => Array
(
)
[category__not_in] => Array
(
)
[category__and] => Array
(
)
[post__in] => Array
(
)
[post__not_in] => Array
(
)
[tag__in] => Array
(
)
[tag__not_in] => Array
(
)
[tag__and] => Array
(
)
[tag_slug__in] => Array
(
)
[tag_slug__and] => Array
(
)
[ignore_sticky_posts] =>
[suppress_filters] =>
[cache_results] => 1
[update_post_term_cache] => 1
[update_post_meta_cache] => 1
[post_type] =>
[posts_per_page] => 171
[nopaging] =>
[comments_per_page] => 50
[no_found_rows] =>
[order] => DESC
)
10.5.2012 | David García
Cuando uno lleva dándole a lo suyo más de 40 años es porque no está sometido al mercado, ni a la moda, ni a ningún otro dictado que no sea el del propio quehacer.
Es el caso de Carlos Evangelista (Salamanca, 1943) que no ha parado de demostrar fidelidad a su personal criterio y [...]
Array
(
[category_name] => expone
[error] =>
[m] => 0
[p] => 0
[post_parent] =>
[subpost] =>
[subpost_id] =>
[attachment] =>
[attachment_id] => 0
[name] =>
[static] =>
[pagename] =>
[page_id] => 0
[second] =>
[minute] =>
[hour] =>
[day] => 0
[monthnum] => 0
[year] => 0
[w] => 0
[tag] =>
[cat] => 4
[tag_id] =>
[author_name] =>
[feed] =>
[tb] =>
[paged] => 0
[comments_popup] =>
[meta_key] =>
[meta_value] =>
[preview] =>
[s] =>
[sentence] =>
[fields] =>
[menu_order] =>
[category__in] => Array
(
)
[category__not_in] => Array
(
)
[category__and] => Array
(
)
[post__in] => Array
(
)
[post__not_in] => Array
(
)
[tag__in] => Array
(
)
[tag__not_in] => Array
(
)
[tag__and] => Array
(
)
[tag_slug__in] => Array
(
)
[tag_slug__and] => Array
(
)
[ignore_sticky_posts] =>
[suppress_filters] =>
[cache_results] => 1
[update_post_term_cache] => 1
[update_post_meta_cache] => 1
[post_type] =>
[posts_per_page] => 171
[nopaging] =>
[comments_per_page] => 50
[no_found_rows] =>
[order] => DESC
)
28.11.2011 | David García
Para obtener el rojo, el más difícil de todos, hay que eliminar el oxígeno en el tercer fuego.
Y para conseguirlo hay que estar dispuesto a emprender un largo camino, superar pruebas y pruebas, horas de esmaltes, proporciones y pesadas, tiempos y temperaturas de cocción, sobreponerse al desánimo y la decepción, intentarlo de nuevo [...]
Array
(
[category_name] => expone
[error] =>
[m] => 0
[p] => 0
[post_parent] =>
[subpost] =>
[subpost_id] =>
[attachment] =>
[attachment_id] => 0
[name] =>
[static] =>
[pagename] =>
[page_id] => 0
[second] =>
[minute] =>
[hour] =>
[day] => 0
[monthnum] => 0
[year] => 0
[w] => 0
[tag] =>
[cat] => 4
[tag_id] =>
[author_name] =>
[feed] =>
[tb] =>
[paged] => 0
[comments_popup] =>
[meta_key] =>
[meta_value] =>
[preview] =>
[s] =>
[sentence] =>
[fields] =>
[menu_order] =>
[category__in] => Array
(
)
[category__not_in] => Array
(
)
[category__and] => Array
(
)
[post__in] => Array
(
)
[post__not_in] => Array
(
)
[tag__in] => Array
(
)
[tag__not_in] => Array
(
)
[tag__and] => Array
(
)
[tag_slug__in] => Array
(
)
[tag_slug__and] => Array
(
)
[ignore_sticky_posts] =>
[suppress_filters] =>
[cache_results] => 1
[update_post_term_cache] => 1
[update_post_meta_cache] => 1
[post_type] =>
[posts_per_page] => 171
[nopaging] =>
[comments_per_page] => 50
[no_found_rows] =>
[order] => DESC
)
27.7.2011 | A. G. Abella
..No sé si habéis visto alguna vez el mapa de la mente de una persona. A veces, los médicos trazan mapas de otras partes de vuestro cuerpo, y vuestro propio mapa puede resultar enormemente interesante; pero ¿a que no los pilláis dibujando el mapa de la mente de un niño? Porque esa mente no sólo [...]
Array
(
[category_name] => expone
[error] =>
[m] => 0
[p] => 0
[post_parent] =>
[subpost] =>
[subpost_id] =>
[attachment] =>
[attachment_id] => 0
[name] =>
[static] =>
[pagename] =>
[page_id] => 0
[second] =>
[minute] =>
[hour] =>
[day] => 0
[monthnum] => 0
[year] => 0
[w] => 0
[tag] =>
[cat] => 4
[tag_id] =>
[author_name] =>
[feed] =>
[tb] =>
[paged] => 0
[comments_popup] =>
[meta_key] =>
[meta_value] =>
[preview] =>
[s] =>
[sentence] =>
[fields] =>
[menu_order] =>
[category__in] => Array
(
)
[category__not_in] => Array
(
)
[category__and] => Array
(
)
[post__in] => Array
(
)
[post__not_in] => Array
(
)
[tag__in] => Array
(
)
[tag__not_in] => Array
(
)
[tag__and] => Array
(
)
[tag_slug__in] => Array
(
)
[tag_slug__and] => Array
(
)
[ignore_sticky_posts] =>
[suppress_filters] =>
[cache_results] => 1
[update_post_term_cache] => 1
[update_post_meta_cache] => 1
[post_type] =>
[posts_per_page] => 171
[nopaging] =>
[comments_per_page] => 50
[no_found_rows] =>
[order] => DESC
)
4.6.2011 | David García
Para los que han tenido contacto con la fotografía española de las últimas décadas Pepe Botella no necesita presentación. Es uno de los grandes. Para los demás mortales cabe un cien por cien de posibilidades de que se hayan alimentando con sus imágenes, sin saberlo, a través de sus colaboraciones en las revistas más exigentes [...]
Array
(
[category_name] => expone
[error] =>
[m] => 0
[p] => 0
[post_parent] =>
[subpost] =>
[subpost_id] =>
[attachment] =>
[attachment_id] => 0
[name] =>
[static] =>
[pagename] =>
[page_id] => 0
[second] =>
[minute] =>
[hour] =>
[day] => 0
[monthnum] => 0
[year] => 0
[w] => 0
[tag] =>
[cat] => 4
[tag_id] =>
[author_name] =>
[feed] =>
[tb] =>
[paged] => 0
[comments_popup] =>
[meta_key] =>
[meta_value] =>
[preview] =>
[s] =>
[sentence] =>
[fields] =>
[menu_order] =>
[category__in] => Array
(
)
[category__not_in] => Array
(
)
[category__and] => Array
(
)
[post__in] => Array
(
)
[post__not_in] => Array
(
)
[tag__in] => Array
(
)
[tag__not_in] => Array
(
)
[tag__and] => Array
(
)
[tag_slug__in] => Array
(
)
[tag_slug__and] => Array
(
)
[ignore_sticky_posts] =>
[suppress_filters] =>
[cache_results] => 1
[update_post_term_cache] => 1
[update_post_meta_cache] => 1
[post_type] =>
[posts_per_page] => 171
[nopaging] =>
[comments_per_page] => 50
[no_found_rows] =>
[order] => DESC
)
8.4.2011 | David García
En el campo de las “Comercial Arts” y las “Comunications Arts” Jorge Zarco (Madrid 1959) tiene un lugar bien ganado por su archirreconocida carrera: es uno de los maestros. Maneja a cuatro manos los oficios -grafista, diseñador, tipógrafo, creativo- que lleva perfeccionando a diario durante las últimas tres décadas. Y, pinta. El universo del Pop [...]
Array
(
[category_name] => expone
[error] =>
[m] => 0
[p] => 0
[post_parent] =>
[subpost] =>
[subpost_id] =>
[attachment] =>
[attachment_id] => 0
[name] =>
[static] =>
[pagename] =>
[page_id] => 0
[second] =>
[minute] =>
[hour] =>
[day] => 0
[monthnum] => 0
[year] => 0
[w] => 0
[tag] =>
[cat] => 4
[tag_id] =>
[author_name] =>
[feed] =>
[tb] =>
[paged] => 0
[comments_popup] =>
[meta_key] =>
[meta_value] =>
[preview] =>
[s] =>
[sentence] =>
[fields] =>
[menu_order] =>
[category__in] => Array
(
)
[category__not_in] => Array
(
)
[category__and] => Array
(
)
[post__in] => Array
(
)
[post__not_in] => Array
(
)
[tag__in] => Array
(
)
[tag__not_in] => Array
(
)
[tag__and] => Array
(
)
[tag_slug__in] => Array
(
)
[tag_slug__and] => Array
(
)
[ignore_sticky_posts] =>
[suppress_filters] =>
[cache_results] => 1
[update_post_term_cache] => 1
[update_post_meta_cache] => 1
[post_type] =>
[posts_per_page] => 171
[nopaging] =>
[comments_per_page] => 50
[no_found_rows] =>
[order] => DESC
)
24.1.2011 | David García
Lo que hace Ignacio Canales Aracil (Madrid, 1984) antes que nada, es poesía. Ignacio es un poeta. Pero al caer la noche las dudas que ofrece el azar me hacen pensar, pues el futuro con todas sus horas corre frente a mi como un campo sin trabajar reprochando mi ausencia Es un poeta que tiene [...]
Array
(
[category_name] => expone
[error] =>
[m] => 0
[p] => 0
[post_parent] =>
[subpost] =>
[subpost_id] =>
[attachment] =>
[attachment_id] => 0
[name] =>
[static] =>
[pagename] =>
[page_id] => 0
[second] =>
[minute] =>
[hour] =>
[day] => 0
[monthnum] => 0
[year] => 0
[w] => 0
[tag] =>
[cat] => 4
[tag_id] =>
[author_name] =>
[feed] =>
[tb] =>
[paged] => 0
[comments_popup] =>
[meta_key] =>
[meta_value] =>
[preview] =>
[s] =>
[sentence] =>
[fields] =>
[menu_order] =>
[category__in] => Array
(
)
[category__not_in] => Array
(
)
[category__and] => Array
(
)
[post__in] => Array
(
)
[post__not_in] => Array
(
)
[tag__in] => Array
(
)
[tag__not_in] => Array
(
)
[tag__and] => Array
(
)
[tag_slug__in] => Array
(
)
[tag_slug__and] => Array
(
)
[ignore_sticky_posts] =>
[suppress_filters] =>
[cache_results] => 1
[update_post_term_cache] => 1
[update_post_meta_cache] => 1
[post_type] =>
[posts_per_page] => 171
[nopaging] =>
[comments_per_page] => 50
[no_found_rows] =>
[order] => DESC
)
15.12.2010 | David García
Entre finales de los setenta y mediados de los ochenta Madrid se agitaba en torno a La Movida, ese movimiento contracultural que se desató con la Transición política y lo invadió todo: bares, revistas, emisoras, programas de televisión, películas, grupos musicales, diseñadores, estilistas, pintores, poetas… y, cómo no, fotógrafos. Javier Campano, Alberto García Alix, Miguel [...]
Array
(
[category_name] => expone
[error] =>
[m] => 0
[p] => 0
[post_parent] =>
[subpost] =>
[subpost_id] =>
[attachment] =>
[attachment_id] => 0
[name] =>
[static] =>
[pagename] =>
[page_id] => 0
[second] =>
[minute] =>
[hour] =>
[day] => 0
[monthnum] => 0
[year] => 0
[w] => 0
[tag] =>
[cat] => 4
[tag_id] =>
[author_name] =>
[feed] =>
[tb] =>
[paged] => 0
[comments_popup] =>
[meta_key] =>
[meta_value] =>
[preview] =>
[s] =>
[sentence] =>
[fields] =>
[menu_order] =>
[category__in] => Array
(
)
[category__not_in] => Array
(
)
[category__and] => Array
(
)
[post__in] => Array
(
)
[post__not_in] => Array
(
)
[tag__in] => Array
(
)
[tag__not_in] => Array
(
)
[tag__and] => Array
(
)
[tag_slug__in] => Array
(
)
[tag_slug__and] => Array
(
)
[ignore_sticky_posts] =>
[suppress_filters] =>
[cache_results] => 1
[update_post_term_cache] => 1
[update_post_meta_cache] => 1
[post_type] =>
[posts_per_page] => 171
[nopaging] =>
[comments_per_page] => 50
[no_found_rows] =>
[order] => DESC
)
13.10.2010 | David García
No sé cómo se las apaña Pep Carrió (Palma de Mallorca, 1963) para bailar con lobos y salir, impecable, de tales peligros. Eso sí que es un arte. Inteligentes, limpísimas y eficaces colecciones de libros y portadas para Espasa, Santillana, Taurus y la AECID, catálogos y memorias para el ministerio de Cultura, el Gran Teatre [...]
Array
(
[category_name] => expone
[error] =>
[m] => 0
[p] => 0
[post_parent] =>
[subpost] =>
[subpost_id] =>
[attachment] =>
[attachment_id] => 0
[name] =>
[static] =>
[pagename] =>
[page_id] => 0
[second] =>
[minute] =>
[hour] =>
[day] => 0
[monthnum] => 0
[year] => 0
[w] => 0
[tag] =>
[cat] => 4
[tag_id] =>
[author_name] =>
[feed] =>
[tb] =>
[paged] => 0
[comments_popup] =>
[meta_key] =>
[meta_value] =>
[preview] =>
[s] =>
[sentence] =>
[fields] =>
[menu_order] =>
[category__in] => Array
(
)
[category__not_in] => Array
(
)
[category__and] => Array
(
)
[post__in] => Array
(
)
[post__not_in] => Array
(
)
[tag__in] => Array
(
)
[tag__not_in] => Array
(
)
[tag__and] => Array
(
)
[tag_slug__in] => Array
(
)
[tag_slug__and] => Array
(
)
[ignore_sticky_posts] =>
[suppress_filters] =>
[cache_results] => 1
[update_post_term_cache] => 1
[update_post_meta_cache] => 1
[post_type] =>
[posts_per_page] => 171
[nopaging] =>
[comments_per_page] => 50
[no_found_rows] =>
[order] => DESC
)
28.7.2010 | David García
Retratos de dos aristocracias: la del caballo y la de la pintura. Juntos. Impresionantes.
Array
(
[category_name] => expone
[error] =>
[m] => 0
[p] => 0
[post_parent] =>
[subpost] =>
[subpost_id] =>
[attachment] =>
[attachment_id] => 0
[name] =>
[static] =>
[pagename] =>
[page_id] => 0
[second] =>
[minute] =>
[hour] =>
[day] => 0
[monthnum] => 0
[year] => 0
[w] => 0
[tag] =>
[cat] => 4
[tag_id] =>
[author_name] =>
[feed] =>
[tb] =>
[paged] => 0
[comments_popup] =>
[meta_key] =>
[meta_value] =>
[preview] =>
[s] =>
[sentence] =>
[fields] =>
[menu_order] =>
[category__in] => Array
(
)
[category__not_in] => Array
(
)
[category__and] => Array
(
)
[post__in] => Array
(
)
[post__not_in] => Array
(
)
[tag__in] => Array
(
)
[tag__not_in] => Array
(
)
[tag__and] => Array
(
)
[tag_slug__in] => Array
(
)
[tag_slug__and] => Array
(
)
[ignore_sticky_posts] =>
[suppress_filters] =>
[cache_results] => 1
[update_post_term_cache] => 1
[update_post_meta_cache] => 1
[post_type] =>
[posts_per_page] => 171
[nopaging] =>
[comments_per_page] => 50
[no_found_rows] =>
[order] => DESC
)
20.5.2010 | David García
Isidro Ferrer (Zaragoza, 1963), valga el tópico, no necesita presentación. Es Premio Nacional de Diseño 2002 y Premio Nacional de Ilustración 2006. Una gloria nacional, vaya. a Desde su miniempresa de Huesca (el mismo es el jefe y el empleado) hace demostración, una más, de que la periferia es el centro. O viceversa, que el [...]
Array
(
[category_name] => expone
[error] =>
[m] => 0
[p] => 0
[post_parent] =>
[subpost] =>
[subpost_id] =>
[attachment] =>
[attachment_id] => 0
[name] =>
[static] =>
[pagename] =>
[page_id] => 0
[second] =>
[minute] =>
[hour] =>
[day] => 0
[monthnum] => 0
[year] => 0
[w] => 0
[tag] =>
[cat] => 4
[tag_id] =>
[author_name] =>
[feed] =>
[tb] =>
[paged] => 0
[comments_popup] =>
[meta_key] =>
[meta_value] =>
[preview] =>
[s] =>
[sentence] =>
[fields] =>
[menu_order] =>
[category__in] => Array
(
)
[category__not_in] => Array
(
)
[category__and] => Array
(
)
[post__in] => Array
(
)
[post__not_in] => Array
(
)
[tag__in] => Array
(
)
[tag__not_in] => Array
(
)
[tag__and] => Array
(
)
[tag_slug__in] => Array
(
)
[tag_slug__and] => Array
(
)
[ignore_sticky_posts] =>
[suppress_filters] =>
[cache_results] => 1
[update_post_term_cache] => 1
[update_post_meta_cache] => 1
[post_type] =>
[posts_per_page] => 171
[nopaging] =>
[comments_per_page] => 50
[no_found_rows] =>
[order] => DESC
)
30.3.2010 | David García
Ceferino López (Mérida, 1954) es, prácticamente, el fotógrafo y diseñador y webmaster de Mérida. Así que Ceferino vive en una ciudad monumental y encima tiene la suerte de estar en contacto directo con el Museo Nacional de Arte Romano y el Festival de Teatro de Mérida desde hace más de una década. Nada menos. Y [...]
Array
(
[category_name] => expone
[error] =>
[m] => 0
[p] => 0
[post_parent] =>
[subpost] =>
[subpost_id] =>
[attachment] =>
[attachment_id] => 0
[name] =>
[static] =>
[pagename] =>
[page_id] => 0
[second] =>
[minute] =>
[hour] =>
[day] => 0
[monthnum] => 0
[year] => 0
[w] => 0
[tag] =>
[cat] => 4
[tag_id] =>
[author_name] =>
[feed] =>
[tb] =>
[paged] => 0
[comments_popup] =>
[meta_key] =>
[meta_value] =>
[preview] =>
[s] =>
[sentence] =>
[fields] =>
[menu_order] =>
[category__in] => Array
(
)
[category__not_in] => Array
(
)
[category__and] => Array
(
)
[post__in] => Array
(
)
[post__not_in] => Array
(
)
[tag__in] => Array
(
)
[tag__not_in] => Array
(
)
[tag__and] => Array
(
)
[tag_slug__in] => Array
(
)
[tag_slug__and] => Array
(
)
[ignore_sticky_posts] =>
[suppress_filters] =>
[cache_results] => 1
[update_post_term_cache] => 1
[update_post_meta_cache] => 1
[post_type] =>
[posts_per_page] => 171
[nopaging] =>
[comments_per_page] => 50
[no_found_rows] =>
[order] => DESC
)
10.3.2010 | David García
Raquel, que propone no solo objetos sino un estilo de vida, es una creadora que está, ahora mismo, en plena progresión. Y, si no, al tiempo >
Array
(
[category_name] => expone
[error] =>
[m] => 0
[p] => 0
[post_parent] =>
[subpost] =>
[subpost_id] =>
[attachment] =>
[attachment_id] => 0
[name] =>
[static] =>
[pagename] =>
[page_id] => 0
[second] =>
[minute] =>
[hour] =>
[day] => 0
[monthnum] => 0
[year] => 0
[w] => 0
[tag] =>
[cat] => 4
[tag_id] =>
[author_name] =>
[feed] =>
[tb] =>
[paged] => 0
[comments_popup] =>
[meta_key] =>
[meta_value] =>
[preview] =>
[s] =>
[sentence] =>
[fields] =>
[menu_order] =>
[category__in] => Array
(
)
[category__not_in] => Array
(
)
[category__and] => Array
(
)
[post__in] => Array
(
)
[post__not_in] => Array
(
)
[tag__in] => Array
(
)
[tag__not_in] => Array
(
)
[tag__and] => Array
(
)
[tag_slug__in] => Array
(
)
[tag_slug__and] => Array
(
)
[ignore_sticky_posts] =>
[suppress_filters] =>
[cache_results] => 1
[update_post_term_cache] => 1
[update_post_meta_cache] => 1
[post_type] =>
[posts_per_page] => 171
[nopaging] =>
[comments_per_page] => 50
[no_found_rows] =>
[order] => DESC
)
23.1.2010 | David García
Argelia, su última aventura, ha dado fruto: un par de sistemáticas colecciones de fotografías documentales (ver aquí y aquí), varios cuadernos de apuntes y, por fin, un puñado de acuarelas ligerísimas, repletas de delicados detalles, magníficas. Es, casi, casi, como viajar con él >
Array
(
[category_name] => expone
[error] =>
[m] => 0
[p] => 0
[post_parent] =>
[subpost] =>
[subpost_id] =>
[attachment] =>
[attachment_id] => 0
[name] =>
[static] =>
[pagename] =>
[page_id] => 0
[second] =>
[minute] =>
[hour] =>
[day] => 0
[monthnum] => 0
[year] => 0
[w] => 0
[tag] =>
[cat] => 4
[tag_id] =>
[author_name] =>
[feed] =>
[tb] =>
[paged] => 0
[comments_popup] =>
[meta_key] =>
[meta_value] =>
[preview] =>
[s] =>
[sentence] =>
[fields] =>
[menu_order] =>
[category__in] => Array
(
)
[category__not_in] => Array
(
)
[category__and] => Array
(
)
[post__in] => Array
(
)
[post__not_in] => Array
(
)
[tag__in] => Array
(
)
[tag__not_in] => Array
(
)
[tag__and] => Array
(
)
[tag_slug__in] => Array
(
)
[tag_slug__and] => Array
(
)
[ignore_sticky_posts] =>
[suppress_filters] =>
[cache_results] => 1
[update_post_term_cache] => 1
[update_post_meta_cache] => 1
[post_type] =>
[posts_per_page] => 171
[nopaging] =>
[comments_per_page] => 50
[no_found_rows] =>
[order] => DESC
)
16.12.2009 | David García
Juan de Marcos, 1976, Madrid, es uno de los pocos fotógrafos jóvenes que mantiene un punto de vista coherente, desde el inicio, en todo lo que hace. Su mirada, nórdica, casi calvinista, es totalmente sorprendente aunque, dejémoslo claro, no estamos ante un fotógrafo que sale a la calle a ver si caza una sorpresa para [...]
Array
(
[category_name] => expone
[error] =>
[m] => 0
[p] => 0
[post_parent] =>
[subpost] =>
[subpost_id] =>
[attachment] =>
[attachment_id] => 0
[name] =>
[static] =>
[pagename] =>
[page_id] => 0
[second] =>
[minute] =>
[hour] =>
[day] => 0
[monthnum] => 0
[year] => 0
[w] => 0
[tag] =>
[cat] => 4
[tag_id] =>
[author_name] =>
[feed] =>
[tb] =>
[paged] => 0
[comments_popup] =>
[meta_key] =>
[meta_value] =>
[preview] =>
[s] =>
[sentence] =>
[fields] =>
[menu_order] =>
[category__in] => Array
(
)
[category__not_in] => Array
(
)
[category__and] => Array
(
)
[post__in] => Array
(
)
[post__not_in] => Array
(
)
[tag__in] => Array
(
)
[tag__not_in] => Array
(
)
[tag__and] => Array
(
)
[tag_slug__in] => Array
(
)
[tag_slug__and] => Array
(
)
[ignore_sticky_posts] =>
[suppress_filters] =>
[cache_results] => 1
[update_post_term_cache] => 1
[update_post_meta_cache] => 1
[post_type] =>
[posts_per_page] => 171
[nopaging] =>
[comments_per_page] => 50
[no_found_rows] =>
[order] => DESC
)
6.9.2009 | Redacción
Fernando Vicente (Madrid,1963) es un cirujano con mucho tajo de quirófano encima. Un hombre, en todos los sentidos, limpio. No se deja las gasas por ahí tiradas, no. Basta ver sus acabados para darse cuenta de la espontaneidad bien trabajada y el control que, sin aparente esfuerzo, ejerce sobre el dibujo, el trazo o el [...]
Array
(
[category_name] => expone
[error] =>
[m] => 0
[p] => 0
[post_parent] =>
[subpost] =>
[subpost_id] =>
[attachment] =>
[attachment_id] => 0
[name] =>
[static] =>
[pagename] =>
[page_id] => 0
[second] =>
[minute] =>
[hour] =>
[day] => 0
[monthnum] => 0
[year] => 0
[w] => 0
[tag] =>
[cat] => 4
[tag_id] =>
[author_name] =>
[feed] =>
[tb] =>
[paged] => 0
[comments_popup] =>
[meta_key] =>
[meta_value] =>
[preview] =>
[s] =>
[sentence] =>
[fields] =>
[menu_order] =>
[category__in] => Array
(
)
[category__not_in] => Array
(
)
[category__and] => Array
(
)
[post__in] => Array
(
)
[post__not_in] => Array
(
)
[tag__in] => Array
(
)
[tag__not_in] => Array
(
)
[tag__and] => Array
(
)
[tag_slug__in] => Array
(
)
[tag_slug__and] => Array
(
)
[ignore_sticky_posts] =>
[suppress_filters] =>
[cache_results] => 1
[update_post_term_cache] => 1
[update_post_meta_cache] => 1
[post_type] =>
[posts_per_page] => 171
[nopaging] =>
[comments_per_page] => 50
[no_found_rows] =>
[order] => DESC
)
11.4.2009 | Redacción
Presenta, en esclusiva para aaaaarte, un trabajo de altísima calidad técnica y enorme serenidad realizado en la China anterior a la globalización.
Array
(
[category_name] => expone
[error] =>
[m] => 0
[p] => 0
[post_parent] =>
[subpost] =>
[subpost_id] =>
[attachment] =>
[attachment_id] => 0
[name] =>
[static] =>
[pagename] =>
[page_id] => 0
[second] =>
[minute] =>
[hour] =>
[day] => 0
[monthnum] => 0
[year] => 0
[w] => 0
[tag] =>
[cat] => 4
[tag_id] =>
[author_name] =>
[feed] =>
[tb] =>
[paged] => 0
[comments_popup] =>
[meta_key] =>
[meta_value] =>
[preview] =>
[s] =>
[sentence] =>
[fields] =>
[menu_order] =>
[category__in] => Array
(
)
[category__not_in] => Array
(
)
[category__and] => Array
(
)
[post__in] => Array
(
)
[post__not_in] => Array
(
)
[tag__in] => Array
(
)
[tag__not_in] => Array
(
)
[tag__and] => Array
(
)
[tag_slug__in] => Array
(
)
[tag_slug__and] => Array
(
)
[ignore_sticky_posts] =>
[suppress_filters] =>
[cache_results] => 1
[update_post_term_cache] => 1
[update_post_meta_cache] => 1
[post_type] =>
[posts_per_page] => 171
[nopaging] =>
[comments_per_page] => 50
[no_found_rows] =>
[order] => DESC
)
25.1.2009 | Redacción
Cuando Paco Navarro (1959) no está rodeado de estilistas, maquilladores, peluqueros, y las modelos más guapas del mundo, se pone a trabajar en sus cosas. Expone aquí parte de su más reciente trabajo de autor.
