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Miércoles, 17.7.2019


Entradas con la etiqueta ‘Yayoi Kusama’

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Yayoi Kusama, y III. Caída y Apoteosis Final

Yayoi Kusama, y III. Caída y Apoteosis Final

11.12.2014 | A. G. Abella

· Tercera parte. A.G. Abella termina en esta última entrega, el apasionado recorrido por la peripecia vital de la “Sacerdotisa de los lunares”. De los happenings y performances de finales de los 60 y primeros 70, el posterior fracaso de sus negocios en Nueva York y su regreso a Japón, hasta sus colaboraciones con marcas y almacenes de prestigio, las exposiciones en las mejores galerías, las grandes retrospectivas, y el reconocimiento definitivo y total.
Imagen: De la exposició 'Yayoi Kusama. Obsesión Infinita' en el Museo Tamayo
· Primera parte: Yayoi Kusama. La Princesa de los Lunares. O un Jardín Japonés

· Segunda parte: Yayoi Kusama II. En Estados Unidos con 60 Kimonos
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Yayoi Kusama II. <br />En Estados Unidos con 60 Kimonos

Yayoi Kusama II.
En Estados Unidos con 60 Kimonos

31.10.2014 | A. G. Abella

· Segunda parte. A.G. Abella continúa, en esta entrega, desentrañando el complejo perfil de la artista que ocupa el primer lugar entre las mujeres más cotizadas y de mayor progresión de la última década.
Desde su llegada a Nueva York en 1957, sus primeras exposiciones, las agotadoras sesiones de cuarenta o cincuenta horas de trabajo, sus hallazgos, sus rivalidades, sus crisis y su necesidad de reconocimiento, asistimos al enorme empeño que ha hecho de Yayoi Kusama, una obra mayor que ella misma.
Imagen: Yayoi Kusama, 'White Infinity Nets' / Victoria Miro, 2013 - Photo: Gautier Deblonde
· Primera parte: Yayoi Kusama. La Princesa de los Lunares. O un Jardín Japonés
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Yayoi Kusama. <br />La Princesa de los Lunares. O un Jardín Japonés

Yayoi Kusama.
La Princesa de los Lunares. O un Jardín Japonés

20.7.2014 | A. G. Abella

· Primera parte. A.G. Abella traza, con su probada habilidad para la investigación minuciosa, el complejo perfil de la artista que ocupa el primer lugar entre las mujeres más cotizadas y de mayor progresión de la última década, por delante de Cindy Sherman y de Marlene Dumas.
Desde su infancia en Japón, el enfrentamiento con su familia y la experiencia de la II Guerra Mundial, su decidida búsqueda de un mundo más amplio y su actual estilo de vida, asistimos al enorme empeño que ha hecho de Yayoi Kusama, una obra mayor que ella misma.
Imagen: La artista japonesa Yayoi Kusama con su característica peluca rojo-brillante, trabajando en su estudio / Photo: AP
· Segunda parte: Yayoi Kusama II. En Estados Unidos con 60 Kimonos