aaaaarte

Array ( [year] => 2015 [monthnum] => 3 [category_name] => noticia [error] => [m] => [p] => 0 [post_parent] => [subpost] => [subpost_id] => [attachment] => [attachment_id] => 0 [name] => [static] => [pagename] => [page_id] => 0 [second] => [minute] => [hour] => [day] => 0 [w] => 0 [tag] => [cat] => 3 [tag_id] => [author] => [author_name] => [feed] => [tb] => [paged] => 0 [meta_key] => [meta_value] => [preview] => [s] => [sentence] => [title] => [fields] => [menu_order] => [embed] => [category__in] => Array ( ) [category__not_in] => Array ( ) [category__and] => Array ( ) [post__in] => Array ( ) [post__not_in] => Array ( ) [post_name__in] => Array ( ) [tag__in] => Array ( ) [tag__not_in] => Array ( ) [tag__and] => Array ( ) [tag_slug__in] => Array ( ) [tag_slug__and] => Array ( ) [post_parent__in] => Array ( ) [post_parent__not_in] => Array ( ) [author__in] => Array ( ) [author__not_in] => Array ( ) [ignore_sticky_posts] => [suppress_filters] => [cache_results] => 1 [update_post_term_cache] => 1 [lazy_load_term_meta] => 1 [update_post_meta_cache] => 1 [post_type] => [posts_per_page] => 420 [nopaging] => [comments_per_page] => 50 [no_found_rows] => [order] => DESC )
3
  • aaaaarte en Twitter
Martes, 22.8.2017


Array ( [year] => 2015 [monthnum] => 3 [category_name] => noticia [error] => [m] => [p] => 0 [post_parent] => [subpost] => [subpost_id] => [attachment] => [attachment_id] => 0 [name] => [static] => [pagename] => [page_id] => 0 [second] => [minute] => [hour] => [day] => 0 [w] => 0 [tag] => [cat] => 3 [tag_id] => [author] => [author_name] => [feed] => [tb] => [paged] => 0 [meta_key] => [meta_value] => [preview] => [s] => [sentence] => [title] => [fields] => [menu_order] => [embed] => [category__in] => Array ( ) [category__not_in] => Array ( ) [category__and] => Array ( ) [post__in] => Array ( ) [post__not_in] => Array ( ) [post_name__in] => Array ( ) [tag__in] => Array ( ) [tag__not_in] => Array ( ) [tag__and] => Array ( ) [tag_slug__in] => Array ( ) [tag_slug__and] => Array ( ) [post_parent__in] => Array ( ) [post_parent__not_in] => Array ( ) [author__in] => Array ( ) [author__not_in] => Array ( ) [ignore_sticky_posts] => [suppress_filters] => [cache_results] => 1 [update_post_term_cache] => 1 [lazy_load_term_meta] => 1 [update_post_meta_cache] => 1 [post_type] => [posts_per_page] => 420 [nopaging] => [comments_per_page] => 50 [no_found_rows] => [order] => DESC )
Yan Pei-Ming, Adel Abdessemed y Otros 26

Yan Pei-Ming, Adel Abdessemed y Otros 26

30.3.2015 | David García

· Yan Pei-Ming
· CAC Malaga
· 20.03.2015 - 14.06.2015

· Adel Abdessemed
· CAC Malaga
· 27.03.2015 - 5.06.2015


El CAC será discutible. Y caro. Pero justifica, con creces, su particular posición dentro de la superoferta museística de la ciudad de Málaga. En esta ocasión nos llegan, de la mano de su director y gerente Fernando Francés, dos visiones del mundo de dos artistas emigrados a Francia, el país que les ha descubierto y consagrado. Cada uno en su propio idioma, el chino Yan Pei-Ming y el argelino Adel Abdessemed dan cuenta de lo mismo: política, religión y violencia, historias de hoy y de siempre.
Y, para suavizar la intensidad de la dosis, Neighbours II, una colectiva que reúne 26 "artistas de proximidad".

Imagen: Yan Pei-Ming, 'Exécution, après Goya', 2008 / Colección particular - Photo: © Jose David

Array ( [year] => 2015 [monthnum] => 3 [category_name] => noticia [error] => [m] => [p] => 0 [post_parent] => [subpost] => [subpost_id] => [attachment] => [attachment_id] => 0 [name] => [static] => [pagename] => [page_id] => 0 [second] => [minute] => [hour] => [day] => 0 [w] => 0 [tag] => [cat] => 3 [tag_id] => [author] => [author_name] => [feed] => [tb] => [paged] => 0 [meta_key] => [meta_value] => [preview] => [s] => [sentence] => [title] => [fields] => [menu_order] => [embed] => [category__in] => Array ( ) [category__not_in] => Array ( ) [category__and] => Array ( ) [post__in] => Array ( ) [post__not_in] => Array ( ) [post_name__in] => Array ( ) [tag__in] => Array ( ) [tag__not_in] => Array ( ) [tag__and] => Array ( ) [tag_slug__in] => Array ( ) [tag_slug__and] => Array ( ) [post_parent__in] => Array ( ) [post_parent__not_in] => Array ( ) [author__in] => Array ( ) [author__not_in] => Array ( ) [ignore_sticky_posts] => [suppress_filters] => [cache_results] => 1 [update_post_term_cache] => 1 [lazy_load_term_meta] => 1 [update_post_meta_cache] => 1 [post_type] => [posts_per_page] => 420 [nopaging] => [comments_per_page] => 50 [no_found_rows] => [order] => DESC )
TEFAF 2015

TEFAF 2015

25.3.2015 | Redacción

· Why TEFAF Really Matters + Full coverage
Array ( [year] => 2015 [monthnum] => 3 [category_name] => noticia [error] => [m] => [p] => 0 [post_parent] => [subpost] => [subpost_id] => [attachment] => [attachment_id] => 0 [name] => [static] => [pagename] => [page_id] => 0 [second] => [minute] => [hour] => [day] => 0 [w] => 0 [tag] => [cat] => 3 [tag_id] => [author] => [author_name] => [feed] => [tb] => [paged] => 0 [meta_key] => [meta_value] => [preview] => [s] => [sentence] => [title] => [fields] => [menu_order] => [embed] => [category__in] => Array ( ) [category__not_in] => Array ( ) [category__and] => Array ( ) [post__in] => Array ( ) [post__not_in] => Array ( ) [post_name__in] => Array ( ) [tag__in] => Array ( ) [tag__not_in] => Array ( ) [tag__and] => Array ( ) [tag_slug__in] => Array ( ) [tag_slug__and] => Array ( ) [post_parent__in] => Array ( ) [post_parent__not_in] => Array ( ) [author__in] => Array ( ) [author__not_in] => Array ( ) [ignore_sticky_posts] => [suppress_filters] => [cache_results] => 1 [update_post_term_cache] => 1 [lazy_load_term_meta] => 1 [update_post_meta_cache] => 1 [post_type] => [posts_per_page] => 420 [nopaging] => [comments_per_page] => 50 [no_found_rows] => [order] => DESC )
De Viaje con Monsieur Durand-Ruel <br />(Director de Marketing del Impresionismo)

De Viaje con Monsieur Durand-Ruel
(Director de Marketing del Impresionismo)

5.3.2015 | A. G. Abella

· Durand-Ruel. Inventing Impressionism
· The National Gallery
· 4.03.2015 - 31.05.2015


La National Gallery de Londres, el Philadelphia Museum of Art y la Réunion des Musées Nationaux - Grand Palais en colaboración con el Musée d’Orsay organizan esta exposición dedicada a la figura de Paul Durand-Ruel, el galerista, marchante y coleccionista que llevó el impresionismo francés -Manet, Monet, Renoir, Pisarro, Degas, Sisley, Seurat...- a América, a la fama mundial y a las cotizaciones récord en las subastas.

Imagen: Portada del catálogo y condiciones de la subasta de pinturas francesas de la colección de Durand-Ruel en las galerías de W.P. Moore, Nueva York, mayo de 1887 / Philadelphia Museum of Art, Library

Array ( [year] => 2015 [monthnum] => 3 [category_name] => noticia [error] => [m] => [p] => 0 [post_parent] => [subpost] => [subpost_id] => [attachment] => [attachment_id] => 0 [name] => [static] => [pagename] => [page_id] => 0 [second] => [minute] => [hour] => [day] => 0 [w] => 0 [tag] => [cat] => 3 [tag_id] => [author] => [author_name] => [feed] => [tb] => [paged] => 0 [meta_key] => [meta_value] => [preview] => [s] => [sentence] => [title] => [fields] => [menu_order] => [embed] => [category__in] => Array ( ) [category__not_in] => Array ( ) [category__and] => Array ( ) [post__in] => Array ( ) [post__not_in] => Array ( ) [post_name__in] => Array ( ) [tag__in] => Array ( ) [tag__not_in] => Array ( ) [tag__and] => Array ( ) [tag_slug__in] => Array ( ) [tag_slug__and] => Array ( ) [post_parent__in] => Array ( ) [post_parent__not_in] => Array ( ) [author__in] => Array ( ) [author__not_in] => Array ( ) [ignore_sticky_posts] => [suppress_filters] => [cache_results] => 1 [update_post_term_cache] => 1 [lazy_load_term_meta] => 1 [update_post_meta_cache] => 1 [post_type] => [posts_per_page] => 420 [nopaging] => [comments_per_page] => 50 [no_found_rows] => [order] => DESC )
ARCO 2015<br/> EXTRA !

ARCO 2015
EXTRA !

4.3.2015 | Redacción

Todo, todo, sobre la feria y sus satélites: Arcocolombia, prensa, fotos...
+
Arco 2009 - 2014